A Quote by Tommy Fleetwood

I had a few moments in Hong Kong, the odd minute where you sit down and reflect more than anything of having that ticked off in your career. It's something special. — © Tommy Fleetwood
I had a few moments in Hong Kong, the odd minute where you sit down and reflect more than anything of having that ticked off in your career. It's something special.
When I look at 'Fallen Angels,' I realize it is not a film that is truly about Hong Kong. It's more like my Hong Kong fantasy. I want Hong Kong to be quiet, with less people.
Hong Kong people say Hong Kong needs to preserve its uniqueness. I say Hong Kong's uniqueness is in its diversity, its tolerance of difference cultures... China does not want to see Hong Kong in decline. I have full confidence in its future.
Hong Kong compatriots will surely display great love for the motherland and for Hong Kong and take it as their utmost honor to maintain long-term prosperity and stability in Hong Kong and safeguard the fundamental interests of the country.
Hong Kong has been the place where the memory of Tiananmen Square lives on; Hong Kong people have become more and more committed in their resistance to authoritarian government, and also, not surprisingly, committed to safeguarding their culture and heritage as something distinct and worth preserving.
I hope Hong Kong isn't just named Hong Kong but it can still be the Hong Kong we desire.
While we were shooting the movie, we shot in the actual hotel in Hong Kong where it all went down, the Mira Hotel. Laura Poitras was coming to Hong Kong to do a screening of Citizenfour, and she ended up staying at the Mira Hotel. It was her first time back in Hong Kong, and I ran into her in the elevator. Literally I had just finished shooting one day, and I came back to the hotel and she was in the elevator.
People are very surprised when they come to Hong Kong after seeing my films, because my version of it is quite different than Hong Kong in reality.
Detention cells in Hong Kong are not pleasant. In Thailand they are even worse. In Hong Kong you are at least allowed to see your lawyers.
My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
There was the Cultural Revolution just over the border, and Hong Kong felt quite dodgy. My younger brother's wife actually swam from China to Hong Kong to escape. I realised in the '60s that I had to get out.
Bo Innovation is there for anyone who comes to Hong Kong and wants to learn about Hong Kong in the shortest amount of time.
People in Hong Kong are stylish and fashionable, which is one of the many reasons making Hong Kong itself such an energetic place.
Self-determination means the political and economic status of Hong Kong should be freely determined by the Hong Kong people.
I went back to Hong Kong for the first time in 17 years and I was culture shocked in Hong Kong.
One of my goals is to have a base near mainland China. I think Hong Kong would be a good match for me. I like being in Hong Kong.
I have always wanted to make a film about my parents' generation, which tried every way to escape from the deadly shadow of war and finally settled down in Hong Kong in the '50s to build a home from nothing. Arguably, they are the first generation of Hong Kong people to turn this remote island into a modern city.
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