A Quote by Tommy Fleetwood

When you're growing up, what it's really all about is playing so well the crowd get into it, and the roars you hear are those that you are creating. — © Tommy Fleetwood
When you're growing up, what it's really all about is playing so well the crowd get into it, and the roars you hear are those that you are creating.
Growing up in South Australia, you didn't really hear about wrestling much. It was mostly on the weekends at stupid hours in the morning when I was playing sport.
That really is my trademark. Day to day, week in, week out. If something happens and the crowd roars, I shut up.
Where I grew up - I grew up on the north side of Akron, lived in the projects. So those scared and lonely nights - that's every night. You hear a lot of police sirens, you hear a lot of gunfire. Things that you don't want your kids to hear growing up.
I like playing... I don't know. I think that's what was really exciting about playing Knives, too, from the beginning was that you get to kind of do both of that. She's almost like two different people, but that's what's cool about it, because I get to show her growth and that's the thing that's really cool about Knives, you get to really see her grow up from being meek and innocent and naïve at the beginning to this powerful girl who is going for what she really believes in and what she really wants.
I could hear from the crowd some monkey noises, and this went on for about 25 minutes. Every time I touched the ball, I could hear the crowd. I said to myself, 'In this kind of environment, in this situation, I don't want to play football anymore.'
Every young kid growing up playing football dreams of playing in those big famous stadiums.
We hear from parents all the time about how much their kids learn from playing and creating on Roblox.
What the media is playing is what people want is really a false idea. Capitalism and people who control the market have a large hand in everything. It doesn't have anything to do with figuring out what the crowd wants to hear. It has to do with the media deciding what they think people want to hear.
I was always thankful for the YMCA. Of course, growing up, you don't really think about it, because when you're a kid, you're in your own world. But back then, it was just so much. I'm going to go the Y, hanging out, playing games all day, playing basketball.
I'm telling you, it's so exciting playing out there because I'm playing well, you have the crowd behind you, and it's such a good feeling. I'm really having a good time out there.
A good way to work on alternate picking is to choose three or four notes, and work on those. Too often, players who are trying to improve their right hand dexterity get hung up by playing too many notes with the left hand.I hear a lot of players running whole scales from the sixth string to the first , and playing them really sloppy.Keeping it very basic-and using only a few notes-and playing slowly with perfect rhythm is a task in itself.
I can't really hear the audience applause when I'm on stage. I'm totally immersed in the piece. But sometimes I get a lot of it and wonder, "Now, why did they applaud here?" If it's a white crowd, they usually applaud because they think it's a pretty movement. If it's a black crowd, it's usually because they identify with the message.
I definitely get pumped up when I hear a crowd cheering for me.
The Indian danced on alone. The crowd clapped up the beat. The Indian danced with a chair. The crowd went crazy. The band faded. The crowd cheered. The Indian held up his hands for silence as if to make a speech. Looking at the band and then the crowd, the Indian said, "Well, what're you waiting for? Let's DANCE.
I started playing baseball and soccer. Those were my sports on the streets and in school when I was growing up. I didn't even start playing basketball until I was 14.
The music that I'm known for is quiet and gentle, although when I was growing up and as a teenager, I was playing the opposite - I was screaming and playing bass and those loud electric guitars.
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