A Quote by Tommy James

My baby does the hanky panky. — © Tommy James
My baby does the hanky panky.

Quote Topics

In defiance of Miss Maccalariat I'd like to commit hanky-panky with you, Miss Adora Belle Dearheart... well, certainly hanky, and possibly panky when we get to know one another better.
We always felt that there was some hanky-panky going on with our money. We were the No. 1 group in the world, but we weren't paid like that.
My first published novel was written for teenagers, and there were rules laid down by the publisher: no sex, no smoking, no swearing. I blew up entire solar systems, I consigned billions of people to horrible death; they didn't seem to mind that at all. But no hanky-panky.
When it comes to underwear, there's nothing worse than a visible panty line. Sometimes it seems like nobody knows that seamless underwear exists. But Calvin Klein makes them. Commando makes them. Hanky Panky makes them. You don't need a drawer full; a few pairs will suffice.
Sidney Poitier was directing a film called 'Hanky Panky.' And he said, 'Do you want to come with me to New York to see Gilda Radner in 'Lunch Hour' on Broadway? I said, 'I don't need to see her, I love her. I've wanted to write something for her for a long time. So it's OK by me.'
We as outsiders can't differentiate between Sunni and Shi'ah, but leave it to them and they'll get over the difficulty by some kind of hanky panky, just as the Turks did, and for the present it's the only way of getting over it. I don't for a moment doubt that the final authority must be in the hands of the Sunnis, in spite of their numerical inferiority; otherwise you will have a mujtahid-run, theocratic state, which is the very devil.
Flawless . . . Tightly choreographed . . . Shipstead gains entry into exclusive worlds and trains her opera glasses on private social rituals, as well as behind-the-scenes hanky panky . . . Similar to classic ballet, the power of Astonish Me arises out of the pairing of a melodramatic storyline with scrupulously executed range of movement . . . Shipstead sweeps you into this insider world of sweat, narcissism, and short-lived magic . . . Transcendent.
What’s goin’ on?” I ask as I take a seat. “Obviously not this.” He tosses me my shirt from last night. “I found it on the floor of the den. It’s obvious there was some hanky-panky going on.” Okay, so he knows we fooled around. But at least he didn’t find Kiara’s bra on top of my shirt. “Yeah . . . things kinda got a little heated after you and Mrs. W. left the den last night,” I tell him.
I met [Gilda Radner] on the first night of filming ... Hanky Panky that Sidney Poitier was directing. And it's funny, I was in costume and makeup - my tuxedo and makeup because I'd done a few shots before she arrived, and she told me later that she cried all the way in, in the car, because she knew that she was going to fall in love with me and want to get married.
The majority of American writers today have chosen passive non-resistance to things as they are, producing sloughs of poetry about their personal angst and anomie, cascades of short stories and rivers of novels obsessed with the nuances of domestic relationships - suburban hanky-panky - chic boutique shopping mall literary soap opera. When they do speak out on matters of controversy they attack not the evils of our time but fellow writers who may insist on complaining.
9/11 was my first day teaching at Harvard University. My classes were all canceled and I got back to town two days later. I'm one of those people who doesn't think the world has changed any at all since 9/11. It just seemed to be almost inevitable, something like that. That's one of the reasons why the backstory of Fay Grim goes all the way back into the '80s. I was trying to sketch out the continuity of all this hanky-panky between the security agencies of the world.
I'm not quite sure. Probably because "Hanky Panky" and "I Think We're Alone Now" had more to do with it than anything else. For some reason, staccato eighth notes on a bass sounded like bubblegum. Basically, groups like the 1910 Fruitgum Co. took my early format and kind of perverted it, and made these mindless pre-fab hits over and over. In the 60s, anybody who was making commercial music, that is music that didn't have a political slant to it, or wasn't taking drugs, was bubblegum. And that term kind of hung on a lot of people back then, and it's unfortunate.
When I began to study baby delivery, when I was about to have a baby, I became very into it and fascinated and what our body does and how a mother's body temperature will rise the minute that the baby touches her chest because she needs to get warmer.
If a baby is born in Gaza and is not registered with the Israeli Ministry of the Interior, that baby does not exist, it does not count. I get very annoyed when my Palestinian friends complain, 'Why didn't they give me a permit, I am not a terrorist,' because it is not about the person, it is about a policy that people can't articulate because there is no discourse to explain the political intention behind it.
I get this a lot: 'Oh, can you take a picture with my baby? Can you hold the baby?' I don't want to hold your baby! I'll hold my baby. I don't like holding someone else's baby. I'm serious! You never know what could happen. It's such an awkward position you're put in, and it's like, 'No, sorry.'
A baby, a real live baby was the craziest thing a fan has sent. Someone left a baby on our front doorstep with a note that they wanted us to raise it. Of course, we contacted the authorities and they took care of the baby.
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