A Quote by Tommy James
I think everybody did their share of experimenting in the 1960s with drugs. My story is real simple. I was taking amphetamines in the late 60s and I was addicted to them. I don't necessarily know the why. I'm sure at the time I could've told you six different reasons why I was doing it. But, in the end, all of that stuff, all chemicals will hurt you.
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I did not know that 'poetess' was an insult, and that I myself would some day be called one. I did not know that to be told I had transcended my gender would be considered a compliment. I didn't know — yet — that black was compulsory. All of that was in the future. When I was sixteen, it was simple. Poetry existed; therefore it could be written; and nobody had told me — yet — the many, many reasons why it could not be written by me.
I was a bartender for a long time, so I know how to make drinks, but I'm more likely to offer them than to have them. I think this is one of the reasons why I get to live longer than my great-grandmother did, and why I get to produce more writing than she did, and why my marriage isn't in dire straits.
Drugs were pretty easy to quit taking. I was never addicted to anything to begin with. But then, liquor - I had to wait about another six years before I finally got around to quitting that. I'm sure glad I did.
I don't know why I told this story. I could just as well have told another. Perhaps some other time I'll be able to tell another. Living souls, you will see how alike they are.
I would like, in my life, to always be doing things I'm proud of. I know that probably won't happen all the time. But I'd prefer to be telling stories I can be proud of and understand why they're being told. I do watch a lot of films and TV, but sometimes I think: "Why the hell did you make that then?" I won't say what they are though.
God has given me this gift to get out there and share my music and share my experiences and share my testimony. Why not be open? Why not be real? Why not walk in my truth?
There's no point in asking why, even though everybody will. I know why. The harder question is "why not?" I can't believe she ran out of answers before I did.
So why did I think about her every second? Why was I so much happier the minute I saw her? I felt like maybe I knew the answer, but how could I be sure? I didn't know, and I didn't have any way to find out. Guys don't talk about stuff like that. We just lie under the pile of bricks.
This is not just a simple story of "money can't buy happiness." Or maybe that's just what it is. And if it is, why shouldn't it be? Because if this is something we are already supposed to know, then why don't we know it? Why do we chase and scrabble and fight for things to flaunt, why? Why do we reach for power over other people, and through the thin superiority of our possessions, believe we have it? Why do we let money make people bigger, and allow those without it to be made smaller? How did we lose the truth in the frantic, tribal drumbeat of more, more, more?
In case you haven't noticed, people get hard-hearted against the people they hurt. Because they can't stand it. Literally. To think we did that to someone. I did that. So we think of all the reasons why it's okay we did whatever we did.
Why do you think the fans like us - why they prefer our street raps over all that phony stuff out there? Because we're telling the real story of what it's like living in places like Compton. We're giving them reality. We're like reporters. We give them the truth.
When I was there at Marvel, everybody thought if you could draw well and you could do sensational panels, that you were going to be a success. The truth is that no matter how good or bad you are as a draftsman, if you can't tell a story, you don't last in comics. ...About halfway through my stay at Marvel, I realized I was being paid to tell a story, not do a drawing. That's why my stuff is always rather simple and uncomplicated compared to a lot of guys.
Me growing up in the '60s and '70s, there was almost something romantic about drugs, Keith Richards taking drugs and stuff.
I think the story is important in every business. Why do you exist, why are you here, why is your product different, why should I pay attention, why should I care?
What was it to love someone, what was love exactly, and why did it end or not end? Those were the real questions, and who could answer them?
Television is making, there was in independent film renaissance late '80s through the mid-90's. It was an amazing time. Television is doing that right now. So that's why everybody wants to do it. I mean if you're writing stuff like, you know, Fargo, or True Detective, or any of these things that are on, Breaking Bad, there are no rules in television.
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