A Quote by Tommy Lee
The only thing that's changed for me is that I've figured out a new way to do this; when I go to record, I like to do the drums last, if that makes any sense to you.
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When I hear a great new record, especially when it's by someone that I respect and admire, then a part of me is like, Why didn't I think of that? Why didn't I write that record? It makes you sick, but in a way it can be a great thing. It makes you want to go back to the lab and start writing again. Maybe it will inspire you to try a little harder.
The beautiful thing about baseball is that anything can happen. It's like life in that way. As soon as you think you have it all figured out, something happens that makes you realize - you know nothing. The only thing that's guaranteed is that it will be an exciting ride.
The idea that somebody out there is that eager to hear my music in advance can only be a good thing. But growing up, I always liked that system where "release day" was a big thing, and for bands I really liked, I'd know that date. It'd be on my calendar, and I'd go to the record store that day. Sitting down and listening to the record for the first time was a real event. I wish it was still that way, but that's not the way the world works any more.
I think branching out is cool, but I think that you have to branch out in a way that makes some sort of organic sense. I would love to put out a rock record eventually, but it would have to somehow philosophically make sense for me.
The thing that scares me about the way the music industry has changed so much is that I'm afraid that the record, the album, will disappear, and it'll go back to the way it was in the '50s where everything is single-based.
It makes sense that that's part of the story and everything, but that's part of any story of any record - where was it record and how long and what were the people doing. I think people want to know where these events are made. That's why I like the word "record."
I've often said that the only thing I can change with magick is myself. I believe that. Whatever changes I wish to effect with magick, the first and only thing that will be directly changed by my magical operation will be me. Once I am changed, then the new changed me will then somehow affect or attract the desired object of my operation.
You learn new song until you're comfortable with it to where you can record it blindfolded, but then when it comes out on the record, you forget about those little nuances and those little things that you changed during the recording process. It's those spur-of-the-moment things you do that makes it an entirely new beast that you then again have to relearn.
I always tell people that to be the funny person in a Steve Martin movie is like getting a call that Keith Moon wants you to play drums on his record. He should be playing drums on his record.
I think it's somewhere in my head, in my travel space, and it just comes out. It's a visual thing that happens unintentionally. People will tell me, "You do realize you just spoke with that accent, right?" And I'll go, "Oh, did I?" So it's not something I think about. As we talk, I have a visual about my speech and it just comes out like that. If that makes any sense!
I've always kind of had an interest in the drums but nothing else. The drums are the only thing I feel I would be good at, because I'm a very physical person. I've always played sports and stuff. Drums would give me something to do.
No, if it was up to me every record would be brand new studio material but Atlantic records asked me to put out a full live record because my tour really did do well last year.
Traditionally the show must go on which is a stupid thing to say, but that in a nutshell is what's going on. We have a new record out; if we won't tour, the new record dies. It's reality - it's what business is nowadays. You just need to tour to sell your albums.
The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.
You have to figure out a way to endure that little bit of time with the media. Any question they ask you; beautiful thing is, you get the last word. You can spin it any way you want to…If you can go third person on yourself, you can sit down and have a 10-15 minute conversation.
I really like gratuitous nudity. I hate when people go, 'I'll only do it if it makes sense for the movie'. It never makes sense. So I like it - the more gratuitous the better.
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