A Quote by Tommy Lee

I think that when I did the Methods Of Mayhem record, some of the hip-hop stuff probably freaked a lot of Motley Crue fans out. — © Tommy Lee
I think that when I did the Methods Of Mayhem record, some of the hip-hop stuff probably freaked a lot of Motley Crue fans out.
We did wanna change the name. We were actually putting names in a hat. It was the people making an income off Motley Crue that talked us out of it. The booking agent was getting them between a half a million and a million dollars a show as Motley Crue. Then there was the manager who got 10 to 15 percent off Motley Crue.
I don’t think that early hip hop stood out to be a social critique. A lot of fans of mine think that hip hop’s ultimate responsibility is to critique social structures.
I don't think that early hip hop stood out to be a social critique. A lot of fans of mine think that hip hop's ultimate responsibility is to critique social structures.
I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.
Looking at it half-full, there was only two singers in Motley, me and Vince, and I'm still here, 25 years later. And whether I like it or not, I'm the other singer for Motley Crue, and not to sound weird, but I've gotten a lot of extra mileage, I think, out of my career because of it, so I have nothing but positive things to say.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
Looking back on the production of 'Nevermind,' I'm embarrassed by it now. It's closer to a Motley Crue record than it is a punk rock record.
Looking back on the production of 'Nevermind,' I'm embarrassed by it now.' It's closer to a Motley Crue record than it is a punk rock record.
More than half of all the hip hop record sales are white people, and I think that might be a result of my record helping people to accept hip hop.
Hip hop fans are obsessed, and they're geeks about hip hop. Comic book fans are also geeks, and when you can meld the two, then you open the world up to, I think, communities that will just take to each other.
I think I can see people wanting to hear more music-music now as opposed to all hip-hop. You know, which I have nothing against hip-hop. I think some of it is really good. But on the other hand, some of the real great artists are just being lost because they're not getting the airplay or anything to make them inspired to record again.
Hip-hop is just bombarded with a lot of materialistic stuff. When a group like us with more creativity comes out, I think it will make some kind of change.
The current state of music journalism is not bad, but it's not great at all. Some of the hip-hop stuff people get into is exciting, because there's a passion and there's something to explain to a more mainstream audience, so you get these passionate writers who want to express their love for rap and hip-hop, which is cool. But there are too many magazines, and the access has been diminished, so the quality of profiles has gone way down. Internet stuff can be really good, though. I like the dialogue between fans on the Internet. I think that's the best rock writing that's going on right now.
In the very beginning, I kind of had this hip-hop, cut-and-paste approach to music. The first record, especially, was from looking at people like DJ Shadow and A Tribe Called Quest, and I think a phase that a lot of people go through when they start sampling is to go out and stamp on twigs and try to record that kind of stuff.
That's what my music... I'm working on a solo record right now, it's gonna be more hip-hop than anything, like electronic hip-hop, futuristic hip-hop. I'm probably gonna be rapping on it.
I've always been able to do sprinkles of hip-hop here and there in all my albums, but I'm not sure how my fans are gonna feel about coming out first with something that's so hip-hop.
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