A Quote by Tommy Lee
No one really buys records anymore. You can look at sales and do that math real quick. Unfortunately, it's fast food in the music industry. People don't ingest full records anymore.
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If you listen to 'Electric,' 'Entourage,' and 'Been With A Star,' all those records are records that I dug into the crates for to help me create that feeling of old funk. No one makes records like that anymore.
I had my own label, Rising Force Records, and made records, but had them distributed to the chains, to the retailers, but the retailers are gone - there's no physical sales anymore - so I'm not gonna make the CDs and have 'em put into trucks to go nowhere.
I don't enjoy the work that I do. It's just that it's not self-sustaining anymore. The way that I like to make records - they're expensive records to make and just can't afford to do it anymore.
The problem now with changes in the music industry is that there's almost no point in making records anymore. The only thing really is to tour, and then you're revisiting history. Maybe it's better to leave it, if you see what I mean.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
Hindu sages say that you should concentrate while eating. But, we don't have time anymore. Fast food is not quick enough for me. I would like super-fast food in the form of pills.
No one sells records anymore. It's all about touring. It's all greatest hits records and box sets. And even those don't sell. People just go online.
Records aren't selling anymore; people are burning music.
I want all that dirt and grime and life-sauce. A lot of my favorite old soul records have it, but you don't hear it on country records anymore.
The importance of first-week sales has kind of diminished, in our opinion, in the industry, and we don't really know what it really means anymore. It is what it is in the industry. And for us, it's all about the endgame, not where it begins.
Unfortunately, you don't get artist development anymore. Record companies have become a huge corporate thing. It used to be you'd meet someone [in the business] and they'd have a little history of music. Some people in the companies now don't even like music. It's just a job. So I miss the days when someone would go out on a limb and pick a band that was different. I just don't see that anymore. It's the same with the film industry.
No one really gets rich doing this. A couple people do, Black Sabbath does. We don't sell any records anymore.
I've put out records over the years, whether it's with Blackfield or No-Man or Bass Communion or Porcupine Tree, that are pop records, ambient records, metal records, singer-songwriter records.
Luckily almost no one buys music anymore, so selling music doesn't really affect any of my professional decisions.
People don't really buy records anymore, so record companies won't invest in bands like us. They want cookie-cutter acts.
It was part of a financial situation. I could only afford records in thrift stores. Then you could find wonderful things, but now everything is a collectible. I like the recycling idea --using the stuff that people don't want anymore, and make new music out of it. There was an element of looking back and listening to your parents' records and doing something with that stuff. Sort of acknowledging the past while rejecting it at the same time.
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