A Quote by Tommy Lee Jones

I want to photograph what I see and put it in a dramatic context. I'm an actor and a writer, and I want to tell these stories and present these shapes, colors and movements as I see them, as I see them serve a narrative. As I see that narrative serve an audience. That's what I want to do.
But you want to see shapes; you want to see stories, so you pick them out of the sky.
Sure, kids want to read whatever is the hot book, and of course they want to read fantasy and any kind of speculative fiction, but they also like to read stories with kids that look just like them, that have the same problems as them. And I've noticed that what they particularly want to see is to see those characters prevail. So they don't want sanitized situations. They want stories to be raw, they want them to be gritty, but they also do want to see the hope at the end of the story.
Most people see what they expect to see, what they want to see, what they've been told to see, what conventional wisdom tells them to see - not what is right in front of them in its pristine condition.
Trump is such a unique candidate. He's incredibly polarizing. But I see the same kind of blinders on the left. There's perhaps a little less anger, but there is nothing that Hillary Clinton can do to stop most of this nation from voting for her. You do see people who are just buying into the narrative they want to hear, and they are pushing out the narrative they don't.
I want to see my kids for dinner, I want to put them down at night, I want to see their soccer games after school.
I want to see my kids for dinner. I want to put them down at night. I want to see their soccer games after school.
I want to see that 'Anita' documentary. I want to see 'Lovelace'; I want to see 'After Midnight,' because I saw the other two and I loved them. I thought the last one was great.
I still use the pronoun she for my publicity materials, and for mainstream media stuff, for two reasons: the first is that I do a lot of work in public schools, and I want those young women and girls to see every kind of she there can be. I want them to see my biceps and my shorn hair and shirt and tie and for some of them to see me as a possibilityI want them to see me living outside of the boxes, because they might be asphyxiating in their own box and need to see there is air out here for them to breathe, that all they have to do is lift the lid a little.
Ultimately, I don't really want to see the media portraying curvier and fatter bodies being the norm, I want to see a variety of bodies of all shapes, sizes, colors, and orientations, all of the time just like we do in reality.
I want there to be hints of narrative everywhere in the image so that people can make up their own stories about them. But I don't want to have my own narrative and force it on to them.
I personally don't like to go see romantic comedies. But people do want to see them, and they seem to want to see me in them.
I don't think people want to look at problems. They want a continuous narrative, an optimistic narrative. A narrative that says there's a present and a future - and what was in the past no longer exists.
If you're a photographer, you end up being the raw creative force that allows other people to see what kind of narrative you want to be giving or what kind of art that you want people to see.
Older women know who they are, and that makes them more beautiful than younger ones. I like to see a face with some character. I want to see lines. I want to see wrinkles.
When I sing, I don't want them to see that my face is black. I don't want them to see that my face is white. I want them to see my soul. And that is colorless.
When I sing, I don't want them to see that my face is black; I don't want them to see that my face is white - I want them to see my soul. And that is colorless.
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