A Quote by Tommy Lee Jones
If you look at how people use the term 'western,' you can only conclude that it means a movie that has big hats and horses. And if you really want to sound like you've been thinking, then you'll use a term like 'genre.' But all the hell it seems to mean is big hats and horses. Which is not all that deeply analytical.
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The thing is hats don't really suit me because my head's too big, so I always just end up looking like an idiot. So I tend not to wear hats.
I like to make movies on the west side of the Mississippi River, and a lot of times, the movies I direct have horses and big hats in them and get called westerns, but that's okay. I used to resent that, but I don't anymore.
I try to find some time for my horses. I began when I was a child, because I was born and grew up in a little village. And many people ride the horses. So, it was a big - it has been a big passion for me.
I use the word 'fat'. I use that word because that's what people are: they're fat. They're not bulky; they're not large, chunky, hefty or plump. And they're not big-boned. Dinosaurs were big-boned. These people are not overweight: this term somehow implies there is some correct weight... There is no correct weight. Heavy is also a misleading term. An aircraft carrier is heavy; it's not fat. Only people are fat, and that's what fat people are! They're fat !
We're like pretty horses, and just as on horses, they mean to put blinders on us so we can't look left or right but only straight ahead where they would lead.
Really racing is about the horses, not me. You can't do it without the horses, and they are the big players as are the lads who look after them, and they rarely get a mention.
I love funky shoes and hats. I'm into large-brimmed fedoras with big feathers in fun colors like purple and lime-yellow. I just think hats add pizzazz to your outfits.
He could wear hats. He could wear an assortment of hats of different shapes and styles. Boater hats, cowboy hats, bowler hats. The list went on. Pork-pie hats, bucket hats, trillbies and panamas. Top hats, straw hats, trapper hats. Wide brim narrow brim, stingy brim. He could wear a fez. Fezzes were cool. Hadn't someone once said that fezzes were cool? He was pretty aur ether had. And they were. They were cool.
I have to say my relationship with the horses is the biggest thing, and it grows. I love horses more and more every day, and I'm breeding, so when I'm playing a horse that's the son of a horse, the daughter of a horse I used to play, it's like bonding. So I think that's the most amazing part of it. It's the passion that we polo players have for the horses first, and then the game and the strategy of the game and winning and the team and your teammates, all of those things are a big part of it, but the horses are my favorite part.
I raise quarter horses. Mine are mostly thoroughbred cross horses, a little bigger horses than some people like. I sell them or use them on the ranch. A lot of them go to the rodeo arena and some of them go to racetracks.
When your characters are not white hats or black hats but something in between, you do have to be very careful about your details. So, that takes a while. I'm not interested in white hats and black hats. I don't think that's how people are in real life.
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
I do love science fiction, but it's not really a genre unto itself; it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.
I don't like being on a horse. That's the only negative of doing a Western. I like the whole get up, and I look great in a hat. But I get tense around horses. So, if they could make a fake horse, then I'd do a Western.
"I think you're begging the question," said Haydock, "and I can see looming ahead one of those terrible exercises in probability where six men have white hats and six men have black hats and you have to work it out by mathematics how likely it is that the hats will get mixed up and in what proportion. If you start thinking about things like that, you would go round the bend. Let me assure you of that!"
I look up at the ceiling, tracing the foliage of the wreath. Today it makes me think of a hat, the large-brimmed hats women used to wear at some period during the old days: hats like enormous halos, festooned with fruit and flowers, and the feathers of exotic birds; hats like an idea of paradise, floating just above the head, a thought solidified.
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