A Quote by Tommy Manville

When I meet a beautiful girl, the first thing I say is 'will you marry me?'. The second thing I say is, 'how do you do?' — © Tommy Manville
When I meet a beautiful girl, the first thing I say is 'will you marry me?'. The second thing I say is, 'how do you do?'
There's a fragment that goes, "Some say the most beautiful thing in the world is a great cavalry riding down over the hill. Others say it's a vast infantry on the march. But I say the most beautiful thing is the beloved." How political can you get?
I know it. I know I shall make beastly mistakes, Father-" "The world does not forgive mistakes so quickly, my girl." He sounds bitter and sad. "If the world will not forgive me," I say softly, "I shall have to learn to forgive myself." He nods in understanding. "And how will you marry? Or do you intend to marry?" I think of Kartik, and tears threaten. "I shall meet someone one day, as Mother found you.
Funny thing how you first meet the woman that you marry. I first met the wife in a tunnel of love. She was digging it.
When you first hear about this guy (Stan Musial), you say, 'it can't be true.' When you first meet him you say, 'It must be an act.' But as you watch him and watch him and see how he performs and how he comports himself you say, 'He's truly one of a kind.' There will never be another like him.
The thing I get the most [in public] is, 'Hey, Eugene.' You know what I mean? There's no catch phrase like: 'What a week I'm having.' People will actually just say, 'Hey, Eugene' or 'Hi, Eugene.' It's a great thing; they feel that comfortable calling me by my first name. It's not being forward. It depends how you say it. I think they can't help themselves. They think they know me. I find it gratifying.
And at the time, it is funny how you can look at something and say, for example with my shoulder injury, when it first happened I said this is the worst thing that could happen to me. Why me, why now? Now I look back and say it was probably the best thing that happened to me
And at the time, it is funny how you can look at something and say, for example with my shoulder injury, when it first happened I said this is the worst thing that could happen to me. Why me, why now? Now I look back and say it was probably the best thing that happened to me.
The first thing I would say to young writers is, "Don't do it, unless you can't stand not to do it." And the second thing I would say is, "If you do do it, and get into it, the constant rule you should have in mind is to explore your material." It sounds simple, but it isn't, because people often want to get from A to B, and they don't stop to look at what is in the material.
I think, when I started to become successful in the movie business, my mother was very, very worried. She thought no one would want to marry me and she thought that was the most important thing. And she thought that it would affect my personal relations. And she said how worried she was that people would take advantage of me or I would meet the wrong people. When I was made head of the studio, one of her first things was, "Well, now no one will marry you. I hope you'll be happy, whatever."
Music is an opportunity to say every single thing that you want to say. People will pore over whatever you say and however you say it and, for me, it represents complete freedom of speech.
The first thing people say to me when they meet me is, 'You're so much skinner in person.' You have to live up to these standards that are so unrealistic. I try to tune it out.
Whenever I'm asked what advice I have for young writers, I always say that the first thing is to read, and to read a lot. The second thing is to write. And the third thing, which I think is absolutely vital, is to tell stories and listen closely to the stories you're being told.
People still recognize me all the time on the street. The first thing they say when they stop me is, 'Where have you been?' The second comment they make is always, 'Oh, you've grown up.'
People still recognize me all the time on the street. The first thing they say when they stop me is, "Where have you been?" The second comment they make is always, "Oh, you've grown up."
To do the useful thing, to say the courageous thing, to contemplate the beautiful thing: that is enough for one man's life.
I think the best research is people you meet and things that they say, rather than second hand accounts of something. I think when you meet someone and talk to them, then you get the real thing and that's what you can use. That's the material you can actually put on the page.
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