A Quote by Tommy Morrison
People don't like to see a sloppy fight, to see heavyweights wallow around. They like to see exciting fighters.
Related Quotes
I think, in storytelling, people want to see triumph, and so it's usually nice to start with failure and see someone somehow rise above it. People like to see people try. And they like to see people fail for comedy, and they like to see people succeed for the drama and emotion.
The TV and the public pay our wages and they like to see professional golfers mess it up. Missing a green with a chip shot - when do you see that? It's great to see exciting golf like we had last week.
I like the idea of seeing a film that has the artist's hand in there,a film where you can see his strokes, you can see his working patterns. It's like going to a museum and seeing a Renoir drawing. You want to see their work and you want to see how they put it together. For me to see that in animation is really fresh, it's really exciting, it's really original.
The middleweight division is one of the most exciting divisions in the sport. Fighters can punch like heavyweights and have the speed of the lightweights. You have the best of world worlds.
When people first started watching UFC, it seemed like a no-holds barred event... early on it looked like all the fighters were crazy. Actually, there are a lot of techniques, and the reality shows have let people see the fighters behind the scenes.
When I say: "I'm looking at you, I can see you", that means: "I can see you because I can't see what is behind you: I see you through the frame I am drawing. I can't see inside you". If I could see you from beneath or from behind, I would be God. I can see you because my back and my sides are blind. One can't even imagine what it would be like to see inside people.
The cat and mouse game is smart, but people want to see fighters who come to win, or do not wait to go to the judges. When the fight goes all the way, they see the spirit of the person that wants to win.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
I like being able to see an innocence in people. I see a lot of beauty in youth. Young people are in progress. Their faces and bodies and minds are constantly changing. It's exciting to capture that on film.
Exciting fighters put on exciting fights, and that's what fans want to see.
As readers, we remain in the nursery stage so long as we cannot distinguish between taste and judgment, so long, that is, as the only possible verdicts we can pass on a book are two: this I like; this I don't like. For an adult reader, the possible verdicts are five: I can see this is good and I like it; I can see this is good but I don't like it; I can see this is good and, though at present I don't like it, I believe that with perseverance I shall come to like it; I can see that this is trash but I like it; I can see that this is trash and I don't like it.
Do you ever wonder what the Amazons would have looked like in real life? I think in MMA, like, you see it - that warrior spirit. You see that determination. You see that heart. You see that bravery.
I like to see things. I see a lot more art than I'd like to see. We have to be polite and see the art shows of people we know. We see a lot of art.
One of the regrettable things in my life is that my dad was not around to see my stardom, to see me wrestle or to see what I achieved by the dream I had at an early age, influenced by where he would like to go.
You'd see extraordinary-looking people around in the '70s. It was so exciting! You'd have mad people, like Gerlinde Kostiff riding around on her bicycle with a huge hat. Everybody was doing things. I don't have any bad memories of that period.
I've often used the extremes in my work to comment on the mainstream. I think that sometimes a subject that I'm working on, like popular culture, is so present all around us that they're hard to see. It's like: How do you see the air you breathe? How do you see how it affects you?
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