A Quote by Tommy Mottola

You need to know what makes artists tick. Having been through the process myself as a musician, since I was an early teen, gave me an advantage - understanding them from their point of view, because it's about them, it's not about you - it's their vision and what they're capable of achieving, and you're the conduit.
It's always been important to me to be very upfront with people about the fact that I do identify as a feminist because it's an opportunity to expose people to and educated them about the movement. Young women don't identify as feminist is because they don't know any feminists and don't have a comprehensive understanding of what it is, I gave them example and an opportunity to ask about it. And once they saw that I wasn't the embodiment of the negative feminist stereotype - that I was a normal teen girl just like them - I think they became more open to learning about what feminism really is.
Vision is about more than just getting things done, accomplishing some task, achieving something; it is about discovering and expanding our view of others, affirming them, believing in them, and helping them discover and realize the potential within them-helping them find their own voice.
Products are sold because they solve a problem or fill a need. Understanding problems and needs involves understanding customers and what makes them tick.
I am very interest in the human condition. That is what I love about acting. I like studying different people and their psychosis. I like discovering what makes them tick. I always find that with any character I play. I need to find out what makes them tick.
I was sort of retired, you could say. During that process, I was recording here and there. I put out several songs expressing myself to the fans and letting them know of my whereabouts and what I was doing. I gave them insight into my situation. To my surprise, the fans have been very supporting and understanding.
I get vested in my guys. I want to know who their family members are, I want to know their interests, I want to know what makes them tick. I want them to also know I care about the other side of them, their personal character and growth as men, because I think we all sharpen each other that way.
I think we have to go through everything we go through in our life, and I believe my purpose in life was to teach self-reliance. So I had the experience of relying on myself very early in life in order to have that knowing, because otherwise I would've just read about it. I think of it now as a great advantage that I had. It certainly taught me to rely upon myself at a very young age. And that's what I've been teaching since I was a little boy.
Sometimes when people get success they forget about the people that pointed them there or championed them into this position. I pride myself on really understanding. I wouldn't even call it keeping it real. I just call it keeping it me. When they tell me, "You're doing what you're supposed to do," it makes me go ten times even harder, because I know that there are people on the sidelines and they're watching me. They're cheering for me. I want to be the best me I could possibly be when it comes to them.
I've grown up in the film industry and I've been watching them, analyzing them, laughing at them, totally understanding them and getting their point of view, and, at times, taking up for them. So I'm part of it and it's part of me.
Having great friends in New York is like having great friends on an expedition into Darkest Africa in the early 19th century. You need them. And you need sponsorship on a daily basis. I have a painter friend here who says, 'I need two compliments a day just to break even.' And we gave them to each other, and we got them - and honestly got them.
There's a bigger question again about how to do prevention. It's not simply about putting out the early warning. The early warning was put out on Abyei; everybody knew that this was coming. This was intentional, and still it happened. So this idea that we fail to stop these things because there's not awareness about them, or that we need better early warning information, I'm increasingly skeptical of. I think it's about how you move that information into the policy process.
I love myself the way I am, but people will always message me about other people with vitiligo who cover their skin. 'Winnie Harlow, you need to tell them that they need to love themselves the way they are and stop covering their skin!' No! If that's what makes them comfortable and what makes them happy, let them be.
In a way I feel I have been vindicated because I hadn't done anything wrong. The Review Committee gave me a patient hearing and I put my point of view across to them.
Since I've been so honest with them, my fans know me very well so I don't think anything surprises them at this point. I've always told them exactly what's going on in my life and in my head, and because of that, I don't think anything is a huge surprise to them anymore.
I feel a lot of sympathy for the young women I've written about, including Younger Janice. I think that all of them (me in Girlbomb, Samantha in Have You Found Her, and Elizabeth in I, Liar) had some early family trauma that contributed to their dysfunctional methods of dealing with the world, but I wouldn't call them/myself victims - survivors, maybe, but not victims. Nor do I think of them/myself as con artists.
Because it is my second season with the team, no time has been wasted in getting to know the people I'm working with. I am aware of what the team is capable of and how the organisation works, and they are familiar with what makes me tick.
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