A Quote by Tommy Shaw

I have always been a sucker for the big, upbeat chorus. — © Tommy Shaw
I have always been a sucker for the big, upbeat chorus.
One of my main problems with music is that the basic formula is always the same: verse, chorus, verse, chorus, bridge, verse, chorus, chorus, chorus, end. One of the bands that changed that was The Beatles. If you listen to 'Everybody's Got Something to Hide Except Me and My Monkey.' It's three verses, bridge, end.
Music's always been a big part of my life. Because of my father, I was always surrounded by music and musicians, and in school, I was in the chorus, and I played various instruments.
Normally you'll have a structure to a song. You'll have an intro to a verse to a pre-chorus to a chorus, kinda repeat that, maybe there's a bridge, then you'll go out on a chorus - that's the quintessential song structure - sometimes you might do a fake-out, re-do a pre-chorus but the chorus doesn't come until later, but for the most part you follow these tried and true structures.
When the Beatles wrote 'Paperback Writer,' it couldn't have been the same old thing. You can hear so many influences in it, from the blues to Bach, and it's not just verse, chorus, verse, chorus, bridge chorus. They start off singing a cappella, almost like a Bach chorale, and the song goes into this bluesy guitar riff.
I've always been reasonably upbeat about most things.
I've always been a sucker for attention.
I've always been a sucker for a truck driving song.
The pre-chorus always flows and the chorus is always a little bit harder for me because I put pressure on myself. I didn't know that there was a proper way to do these things, so I just write what sounds good to me in my ears and then I hope to God that someone else likes it too.
Evil is a sucker for solidity. It always goes for big numbers, for confident granite, for ideological purity, for drilled armies and balanced sheets.
I don't know why, but I've always been a sucker for roller coasters in movies.
I have always been a sucker for ballads, but you have to be careful these days, you can't overload people.
I always look for a "rhythm" in my writing. A cadence to the sentences. Sometimes I think of pieces I write in a song writing infrastructure - i.e., a verse, a chorus that I return to, a bridge that's something differenct, a chorus that I return to.
It so fascinates me how we always laugh when somebody falls on a banana peel, how comedy and injury are often so interwoven. I've always been a sucker for that.
I remember listening to like gospel-y blues tunes. I'd just listen to the rhythm and the music was upbeat. Always upbeat if you get like a good rhythm you can nod your head. You just feel good. But then when you listen to the lyrics it was quite sad.
I've always been a sucker for a dog called an Alaskan Malamute. It's like a little husky... my dad had one when he was younger.
I've always been into super upbeat, cute, uplifting progressions, but at the same time, I'm also a very dark person. I really like both sides, and I feel like I'm always trying to find some middle ground with music or style or anything that I do.
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