A Quote by Tones and I
One day I was at the park with my family, all my cousins and stuff, in Frankston... We were all just singing a song and my aunty was like 'oh guys, she can actually hold a note.' I think that's the earliest memory of someone actually pointing me out as someone that has an ability to sing. I was probably like 7 years old.
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When we recorded the song I Just Can't Stop Loving You, my vocal range is a little higher than Michael's range. He had me re-sing the demo in the new key. Then doing that he filmed me singing this demo in the new key. I actually said, "What are you doing? Why are you filming this?" He said to me, "Because I want to sing it like you. You sound so great and I want to sing it just like you." I said, "Oh, great, Mike, my friends are really going to believe me when I tell them that Michael Jackson wanted to sing this song just like me." We laughed about that.
I think it's good for the fans, as well, because they get to connect with you directly. You know, in the old days, if I wanted to, like, write to (Steven) Spielberg or Sam Raimi or whatever, I'm not sure I could actually write a fan mail and (I'd) have no idea where to actually send it. Nowadays, you can just, like, follow Ashton (Kutcher who still has among the most followers on Twitter) or, like, friend someone, you know, on Facebook, and you can actually just say, "Hey, I like your stuff."
When I feel comfortable, I just like to sing and hum, and I don't even know I'm doing it. But sometimes someone will come over to me like, 'I love that song you were singing, but it's distracting.'
There's a big difference to when you stand up and sing someone else's song, but when you've actually written the song, you feel like you were a part of it, and you're a lot more proud of it.
I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
When people were like, "Oh, wow, Donald Trump is so crazy. That's so nuts, what's happening?" in the 9 a.m. meeting, Jon Stewart was like, "No, I've seen this before, in Robert Mugabe. I've seen Trump as an African dictator. You guys don't know about nationalist rhetoric all over Europe?" "No, I thought we were the center of the world." He has the ability to actually talk about that in a real way: "Oh, I've been there. I've talked to people there. This is just the remix on stuff that's been brewing for three, four years." That's something very special.
I wrote 'Song Like You' the day I recognized that someone who was really important to me was not actually very good for me, nor was I for them. I think we all have to make hard decisions like that at one point or another, having to let go of someone who we love because love isn't always enough to make it work.
I love singing, but I feel very naked and very vulnerable when I'm singing sometimes. With acting, I always think that it doesn't matter what you are as long as you're truthful in that moment. But with singing, you always have to hit the note. It's not like you can just go, 'Oh, it doesn't really matter what note you sing!'
I do sing in the car. I actually sing Britney Spears songs in the car - me and a close friend of mine. She lives in West Palm and I live in Miami, and when we're going back and forth to see each other, we sing: 'Oh, Baby Baby.' We sing all these 1990s songs. We're like two 14-year-old kids just having a good time.
I'd like to introduce someone who has just come into my life. I've admired him for 35 years. He's someone who represents integrity, honesty, art, and on top of that stuff I'm actually sleeping with him.
All of a sudden I was Joan [Mad Man] and they're going, "Oh, so she plays a badass in this." And I'm like, "Oh my god, I get to play badasses." Firefly was a little bit of that, but she started out as a mouse and then she turned into a dragon. But I never really had that opportunity. So all of a sudden people were like, "Oh, do you feel like you're being typecast?" I would say, "No, this is just opening the doors." No one thought I could do it and someone finally trusted me to do it.
With a track like 'White Christmas,' everybody has done that song in every format you can imagine, so I just looked at the chords at that particular song and what chords would make it work. That's kind of quite a sad song, and I had this idea of someone singing it in the subway, someone who is homeless, old and sad.
I actually started singing in church when I was about five years old. I remember looking at the choirs and just hearing all of those great big beautiful voices. And there was this one woman who could just wail. And I remember trying to sing like her when I was like going home.
I put a flower in someone's locker when I was 15 years old. This girl, called Maria. Maybe I was 14. She actually thought it was from someone else, and the other guy claimed it as well, which was just great.
Actually this is really funny - one time she accidentally forgot to leave a note and I had no idea she had even moved. I was living in the house with a beautiful Mexican family for three months before I realized they weren't my cousins visiting from out of town. They were so nice. They called me "Quien es, quien es," which I thought was a beautiful name.
Sometimes you look at me and it's like all the bullshit gets stripped off and I'm left with what's underneath and I kind of like what I see. Someone who actually fails. Someone who has absolutely no self-control. Someone who says real dickhead things like 'this is complicated.' I like that part of me, you know. I like the fact that I know I can't control you or how I feel about you and that doesn't freak me out.
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