A Quote by Tones and I
I worked in retail for a bit and then I busked for two years. As soon as I started, I thought, 'I'll do busking until I'm 50 because this is the best job in the world.'
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And Mel [Brooks] - you have to understand this important point - he had done "The Producers" for $50,000 over two years, and he didn't make a penny from it. And then he did "The Twelve Chairs" - $50,000 for two more years and didn't make a penny from it. That's four years of work. And then they offered him quite a bit of money to direct "Young Frankenstein," and he took it.
I started busking when I was 24. I was living with Mom and Dad. I'd broken up with my girlfriend and didn't know what I was doing with my life, and I thought, 'Well, this is the last shot - I'm going busking, and let's see what happens.'
I mean, I knew that one day I'd do something writing-oriented as soon as I started writing. But when I started singing, I was determined to make those two work together, so I just worked at it until I started making stuff that sounded like music.
So I quit my job and went to the New England Culinary Institute for the full two years and worked in the restaurant industry after that until finally I thought I had a grasp on what I needed to do what I do.
I actually started an adult book, worked on it for about two years, and then decided it just wasn't coming together for me, and thought I'll go back to children's books, and almost immediately I started 'Holes,' and it just seemed to take off on me.
[Jack Johnson] became a superstar and started his own record label, and then he made and produced my first record, he co-wrote the songs on there, and then he let me open up for him for two years all around the world. And that was like the best start I could've had, the best way I could've started in the music scene.
I started in the lowest league in baseball, and I worked my way all the way up to Triple A and then to the big leagues. I never reached the level that I thought I would reach as a player. But that's the way it goes. So then I started from the bottom as a manager, and I worked my way up to managing the Dodgers for 20 years.
That whole day [ of the space flight] is very vividly impressed on my memory because it was such a new experience. We hadn't done that before. And then I've recalled it so often since then I think that it's a - it's remained very vivid over the past 50 years, seems to me like about a week or two instead of 50 years.
I started auditioning when I was about 10 and I didn't get my first job until I was 12, and two years at that age is really hard.
I've worked with lots of actors who sit at home for years waiting to get a job, then as soon as they do, they want to go home.
I wanted to be the best in the world and at 12 years-old I won my first big amateur contest called The Gold Cup Series Contest at Marina Del Ray Skatepark. That's when I really started to believe I could turn pro, though it wasn't until two years later when I was 14 that I actually did with Sims.
Every ten years, we get a new old school. In 1987, we thought 1977 was the best era in hip-hop. Here we are in 2007, and we're discussing '97/'98, when 50 Cent just started.
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
It was 4 or 5 years into my first design job before the idea of doing graphic design on computers started taking hold. I started working in 1980, the Macintosh was introduced in 1984, then the real desktop publishing only started coming around in 85-86, but it wasn't really until the end of the decade that the transition became irresistible.
Until you have a child, it's very tempting to look at the state of the world and say, "To hell with it, in 50 years I won't be around anyway." But if you have a child you don't say that, because even if you're not around in 50 years, your children presumably will be, and maybe even their children. You think of yourself as responsible to future generations in a whole different way.
John Barrymore was a serious actor who did a great deal of research for all his parts, until, I guess, he was around 50. Then he started drinking heavily . . . So he drank himself to death. It took him 10 years.
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