A Quote by Toni Basil

I think, actually, I was the first person to ever sign a simultaneous video and recording deal with a record company. — © Toni Basil
I think, actually, I was the first person to ever sign a simultaneous video and recording deal with a record company.
I was too shy, I think, to sing publicly. It takes a particular kind of person. And when I was young, I was not that person. In the first instance, when a record company said to me, do you want to try and make your record, my first reaction was, no, I'm not worthy - I couldn't possibly, and so on and so forth.
The record company started as an adjunct to that, to give young composers their first recorded performances; to give young musicians their first debut on a recording. These are all things that big record companies would never touch because there is no money in it!
I think [Iranian deal] was the worst deal I've ever seen negotiated. The deal that was made by the [Barack] Obama administration. I think it's a shame that we've had a deal like that and that we had to sign a deal like that and there was no reason to do it and if you're going to do it, have a good deal.
I'm never going to be a woman who doesn't work. At 12 I was emancipated from my parents so I could sign my first record deal. I think I was born working!
Do you ever think about when you outta here? Record deal and video, outta here!? Mercedes Benz and Range Rover, outta here!?
I had a good record company right from the beginning, and I'm still with them after all these years. I think I may be the only person in the world that's had a tenure this long with any record company.
I don't have to worry about what the average record company person thinks because I am the record company person.
A development deal is an in-between record deal. It's like, a guy saying that he wants to date you but not be your boyfriend. You know, they don't wanna sign you to an actual record deal or put an album out on you. They wanna watch your progress for a year.
The minute we first started recording 'Defend Yourself,' I thought, 'Yeah. We're going to have to deal with a really terrible review from Pitchfork for this record.'
Lazy Line Painter Jane - it was an insane way to make a record! It was just in a church hall, no separate rooms for instruments, and a crappy digital desk, and I think it's fantastic. I think it's one of the best records we ever made. But if you actually said that to a professional recording engineer or producer they'd laugh at you.
This 'Pighammer' record is supposed to be a side project. And it just so happens that at the same time I'm recording this record, our contract was up with Warner Bros., so it's time for Static-X to re-sign.
You sign your life away, basically, when you sign a record deal, and if you have a platinum album, then you go back in and renegotiate.
I didn't sign a record deal; I didn't do any of that. I made my record independently, and I went out and hit the road in a van.
Art is basically communication, and I think everyone who's a music lover has had that experience where a record or a recording has kept you company when no one else is around. And I think that is what I'm hoping that people get out of my music.
I do disagree with the way videos of my songs have been made. 'Afreen Afreen' is a very powerful song; it did not require such a video. The emphasis should be on the song. Again, I have told my recording company, and in the future, they will screen the video only after my approval.
My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.
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