A Quote by Toni Basil

I did 'Viva Las Vegas' with Elvis Presley and Ann-Margret. By standing in for Ann-Margret for a week, I learned the feeling of being a star in a musical number. — © Toni Basil
I did 'Viva Las Vegas' with Elvis Presley and Ann-Margret. By standing in for Ann-Margret for a week, I learned the feeling of being a star in a musical number.
I was a huge Ann-Margret fan, and I wanted to be like her.
With no pretensions of art, Viva Las Vegas, the new Elvis Presley vehicle, is about as pleasant and unimportant as a Banana Split.
I've always sang a little like a 16-year-old girl, but even Ann-Margret stopped after a while and brought it down a bit.
I don't want to be a rock star all my life. I couldn't bear to end up like Elvis Presley in Las Vegas with all those housewives and old ladies coming in with their handbags.
Viva Las Vegas with your neon flashin' and your one arm bandits crashin' all those hopes down the drain. Viva Las Vegas turnin' day into nighttime, turnin night into daytime. If you see it once, you'll never be the same again.
A few years ago it dawned on me that everybody past a certain age ... pretty much constantly dreams of being able to escape from their lives. They don't want to be who they are any more. They want out. This list includes Thurston Howell the Third, Ann-Margret, the cat members of Rent, Václav Havel, space shuttle astronauts and Snuffleupagus. It's universal.
Elvis Presley invited me to Las Vegas for one night but we got on so well that I stayed for three.
I was born in Las Vegas and my babysitter was a female Elvis Presley impersonator. My first memory is being in her arms and she was fully dressed up as Elvis. She was an avid thrift-shopper so I started going to thrift shops when I was very young. You could put something together for no money at all.
When I lived in Las Vegas, I was meeting everybody: Sammy Davis Jr., Frank Sinatra, Elvis Presley, Engelbert Humperdinck, Tom Jones - we won't go there - but all these people that were working in Vegas a million years ago, way before I was Elvira.
Tonight, I would like to pay tribute to the greatest entertainer of all time, Mr. Elvis Presley. Elvis was Las Vegas. And if it wasn't for him, so many performers like myself would not have the chance to do what we do in this town. He really was the king.
I compete with the 'Welcome To Las Vegas' sign for the number one non-gaming tourist attraction in Las Vegas. I get more visitors than the Hoover Dam.
My mother would write letters when I was away at camp and say, 'There's an Ann-shaped space around the house. Nobody fills an Ann-shaped space except an Ann.' I'm convinced we all have a God-shaped space in us, and until we fill that space with God, we'll never know what it is to be whole.
If what happens in Las Vegas is supposed to stay in Las Vegas, how did Harry Reid get out?
Any artist who goes to Las Vegas is an idiot as far as I am concerned. Whoever goes to Las Vegas can stay in Las Vegas.
That's my idol, Elvis Presley. If you went to my house, you'd see pictures all over of Elvis. He's just the greatest entertainer that ever lived. And I think it's because he had such presence. When Elvis walked into a room, Elvis Presley was in the f***ing room. I don't give a f*** who was in the room with him, Bogart, Marilyn Monroe.
Olive Ann describes Sanna as 'a perfectionist and a worrier.' She is obsessed with the idea of finding happiness, and for her, as Olive ann wrote in her notes for the novel, 'happiness means being first with somebody, having perfect, loving children...The theme of Sanna is disillusionment,' Olive Ann wrote. 'Her life is the pursuit of happiness and perfection, but she finds happiness and perfection impossible to obtain-her idea of happiness is constant joy, no changes.
This site uses cookies to ensure you get the best experience. More info...
Got it!