A Quote by Toni Basil

On my 'Mickey' video, I was the director, producer, choreographer, editor, singer - everything. — © Toni Basil
On my 'Mickey' video, I was the director, producer, choreographer, editor, singer - everything.
Become the director, producer, choreographer of your own story
Filmmaking has always involved pairs: a director coupled with a producer, a director alongside an editor... The notion of couples is not foreign to cinema.
I want to really stress this, I am a director, an actor, producer, action choreographer, and I'm also an investor.
From my experience as an actor, choreographer, action director, and producer, I understand the elements and the dynamics of being a film maker.
When I became a choreographer, I was not assisting any choreographer. I was assisting the director Mansoor Ali Khan for 'Jo Jeeta Wohi Sikandar.' I was the fourth assistant director.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
An action choreographer is kind of like a dance choreographer. You choreograph the moves and you let the director, cinematographer take into positioning their cameras.
The difference with doing a play is that you are in control. In film you are in the hands of the director and the editor and the producer.
The difference with doing a play is that you are in control. In film you are in the hands of the director and the editor and the producer
Working on a play is a vibrant and collaborative business. Everyone from the choreographer to the music director to the director to the writers work together toward the same goal, and everyone chimes in on everything.
I think I'm a whole lot to handle. I definitely am, on every aspect. I'm the video director. I'm the graphics designer. I'm the rapper. I'm the visionary. I'm the music producer. I'm the executive producer. I'm just going to end it off to be poetic: I'm the future of music.
My work ethic is crazy. I'm a producer, an artist, and a video director.
One of the good things is the relationship between director and editor used to be more contentious. Studios used to leave directors alone more during the post production process and now they're clamoring to get in. So, the director and the editor end up teaming up sort of against the studio to fight what they're doing and you lose the creative tension that you used to have between an editor and a director.
You can give the greatest performance possible, but if you don't have a director who's pointing the camera in the right direction and an editor who's editing it properly, it doesn't matter what you do. The director and the editor are the most important people. Not the actors. Sometimes the writer is important. But if you don't have a good director, you can't have a good production.
Sometimes the producer has more say and the director takes what he is given. On other occasions, you don't see the producer very much and the director is the one who it is all about.
I always enjoyed singing and working with the late Kishore Kumar. He was a legendary playback singer, an actor, and a producer/director.
This site uses cookies to ensure you get the best experience. More info...
Got it!