A Quote by Toni Blake

Sylvia Day delivers readers to a fantasy world as unique as it is erotic! Ms. Day is an up-and-coming talent in the world of erotic fiction. [on Pleasures of the Night ]
In the books by Ruy-Sanchez we find again the erotic conviction that allows us to read with all the skin. The erotic, in his narratives is not a subject or a phrase, it is the clay of what they are made. In his novels every experience, trivial or extraordinary, breaths through the erotic.
I could bring you so much pleasure, erotic, erotic, put your hands all over my body.
It's the fantasy of first love. If you've been married for 400 years, as I have, it's nice to experience first love again and you can vicariously through a book. And it is such a fantasy. It takes you away from doing the dishes and the laundry. I think of this as a contemporary romance rather than erotic fiction.
All art is probably erotic in its ultimate character, but painting more than anything else is a purely nervous erotic activity.
I do not deny that I have made drawings and watercolors of an erotic nature. But they are always works of art. Are there no artists who have done erotic pictures?
I realize that, to many readers, Hard Fantasy may seem to be a contradiction in terms. Fantasy, according to most generally recognized definitions, differs from both 'real world' fiction and 'science fiction' in that magic or magical creatures are active elements.
Part of the lesbian consciousness is an absolute recognition of the erotic within our lives and, taking that a step further, dealing with the erotic not only in sexual terms.
In literary representation, the distinction between the genuinely erotic and the licentious is a distinction not of subject-matter, but of perspective. The genuinely erotic work is one which invites the reader to re-create in imagination the first-person point of view of someone party to an erotic encounter. The pornographic work retains as a rule the third-person perspective of the voyeuristic observer.
Most of us will get turned on at night by the very same things that we will demonstrate against during the day - the erotic mind is not very politically correct.
We tend to think of the erotic as an easy, tantalizing sexual arousal. I speak of the erotic as the deepest life force, a force which moves us toward living in a fundamental way.
When you're coming up, and you have Matt Hughes, Tim Sylvia, Jens Pulver and Pat Miletich, Jeremy Horn to train with and compete with - guys that have fought in Japan, all over the world - and you see these guys every day, you just embrace the grind and get after it: you have no choice but to succeed.
Erotic play discloses a nameless world which is revealed by the nocturnal language of lovers. Such language is not written down. It is whispered into the ear at night in a hoarse voice. At dawn it is forgotten.
Talent is more erotic when it's wasted.
The kiss that you have never given is just as powerful as hours of actual lovemaking. The erotic isn't just what is happening between people's legs. It is also what's happening in their erotic mind.
The colour blue - that is my colour - and the colour blue means you have left the drabness of day-to-day reality to be transported into - not a world of fantasy, it’s not a world of fantasy - but a world of freedom where you can say what you like and what you don’t like. This has been expressed forever by the colour blue, which is really sky blue.
Erotic movies - they don't even make it anymore. Even the erotic magazines don't really look like the ones you could find in the '70s. You have much more extreme iconography of what is sexy. It's very cold. There's nothing that links to real life.
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