A Quote by Toni Braxton

I think that once an artist has proven herself and you sell lots of records, you should be compensated. — © Toni Braxton
I think that once an artist has proven herself and you sell lots of records, you should be compensated.
We play the whole summer. I do think guys should be compensated. Just like I think college players should be compensated as well. Unfortunately, it's not there. But I think it should be something, you know, there for it.
God works funny so it might have just been meant for me to be an artist that doesn't sell two million records. Maybe my records might change somebody's life rather than sell thru the roof.
I mean, Justin Bieber, Taylor Swift, Ariana Grande, I think the young kids sell lot of records. But for an older kind of artist, more of a sort of heritage, vintage type of artist, you have to think outside the box.
In rock n' roll, we don't sell records at all like we used to. Yet the artist still has to pay to make records. So you've just got to get out on tour and be smarter about your merchandising.
Most artists are making as much money now as they could have made... in the heyday of Def Jam [when the] Beastie Boys would sell 10 million records or DMX would sell 6 or 7 million records. Those records are one thing, but then all the other ways to exploit the emotional relationship between artist and community is so much greater that I would guess that they're making as much or more money than they could have ever made.
I don't sell millions of records. As a matter of fact, I'm not even interested in selling millions of records. I enjoy MCing. I make a decent amount of money. I can feed my kids. I keep a roof over my head. I don't have to sell a million records to maintain my lifestyle.
I think there are records that will sell, and I think what makes a record sell is a continuity of sound.
Just because you sell lots of records it doesn't mean to say you're any good. Look at Phil Collins.
When you find yourself a mom, you will be by no means seriously by itself with your ideas. A mother usually should think twice, once for herself and once for her boy or girl.
There are so many things to think about when you make an album. Like, who am I trying to impress? Am I going to get respect, critical acclaim? Or am I going to sell lots of records?
Obviously there was the idea that we could sell more records if we played live, but I guess I didn't care enough to sell more records to do that.
Every artist obviously wants to sell a million records and do the MTV cribs thing, but I'm realistic.
I have a lot of written material, and all of it's different. Some records that I have are country, some pop, some alternative rock. I just write what I feel, so I can't specifically say. I just want to be an artist of truth and an artist that stays true to herself.
The first two major label records I did what I wanted to do. It wasn't a problem until after I finished my part. They didn't understand I was an artist, a capable artist. When you're the money dealing with the talent, you need to let that talent develop, your job is to figure out how to sell it.
We made records to document ourselves, not to sell a lot of records. I still feel that way. I put out a record because I think it's beautiful, not necessarily commercial.
Because U.K. artists aren't compensated when their music is played on U.S. radio ­stations, U.S. artists aren't ­compensated when their records are played on U.K. stations based on the fact that there's no reciprocity. If that income came in, our ­artists would be paying income taxes on it. So if we can get a lot of policy on the radar, that may have some positive influence.
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