A Quote by Toni Braxton

I was a 10 million-plus selling artist. — © Toni Braxton
I was a 10 million-plus selling artist.
There are a lot of musicians who are still desperately trying to pretend that it's 1998 and by having a huge marketing campaign, they somehow believe that they can sell 10 million records. That's delusional. No one sells 10 million records. The days of musicians getting rich off of selling records are done.
We're a community of a billion-plus people, and the best-selling phones - apart from the iPhone - can sell 10, 20 million. If we did build a phone, we'd only reach 1 or 2 percent of our users. That doesn't do anything awesome for us. We wanted to turn as many phones as possible into 'Facebook phones.' That's what Facebook Home is.
I was an underground artist, but the underground status was successful. Coming from where I came from to see where rap is now, now artists are selling from a million to eight million copies.
We were happy with funding 'Rage' on our own nickel for years. We intended to do the same with 'Doom 4'. We had offers early on for 'Rage'. People offered us X million dollars. But we carried the risk, and when we finally signed a deal, it was X plus $10 million.
Selling another 10 million albums is not a priority. Putting out something you're proud of is.
I really sense the Lord saying to me that: "There are churches, there are ministers and there are business people that this $8,500 seed is going to connect you to a million dollar plus decision. A million dollar plus opportunity."
There's a property in Panama where Trump has collected somewhere around $30 million just from selling his name to this property - it's somewhere between $30 million and $50 million. It would be so easy for a developer to slap on an extra $6 million to a Trump licensing deal and have that be a backdoor bribe. Who are we to say what that is worth? It's so ephemeral. And this is the appeal of selling something as ephemeral as a brand name, is that it can be inflated beyond all reason.
I would sell 2 million records, a million went to teenagers and a million went to the adults. So, when The Beatles became so popular, I lost a million to the teenagers, but I was still selling a million to the adults.
OPEC production went from 30 million barrels a day to 33 million. They flooded the market, and it's lost them a lot of money. Look at the Saudis: they just floated a $17.5 billion debt offering, they earlier borrowed $10 billion from a group of international banks; they're selling part of Aramco - they're desperate for money.
They say I'm worth either €200 million, €100 million, €50 million or €10 million, but that's something between God, the HMRC and myself.
For us, selling a million records in 2005 is the equivalent of selling 2 to 3 million records (five years ago). Rock records aren't flying off the shelves like they used to. Hip-hop and pop are so huge. (But) everything's on the upswing for us.
And I don't think you'd have to kill -- assassinate -- too many vivisectors before you would see a marked decrease in the amount of vivisection going on. And I think for 5 lives, 10 lives, 15 human lives, we could save a million, 2 million, 10 million non-human animals.
We're trying to improve everyone. It doesn't matter if he cost £10 million, £15 million, £200 million. There is always space to do something better.
I think for five lives, 10 lives, 15 human lives, we could save a million, two million, 10 million non-human lives.
I'm trying to communicate here. I'm a communicator, I like to communicate, and if a million people buy it then we've touched a million people, if only 10 people buy it, then we've only touched 10, and that's important, because I'm satisfied with only 10. But, I love a million.
Being a recording artist, selling music, selling concerts out, having a reality show, starting film; it's great, it's beautiful.
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