A Quote by Toni Cade Bambara

All writers, musicians, artists, choreographers/dancers, etc., work with the stuff of their experiences. It's the translation of it, the conversion of it, the shaping of it that makes for the drama.
It's kind of become a journey about the dancers, but dancers are the reason why this show is so successful. They are the choreographers, they are the teachers and if not for their hard work, there would be no 'Dancing With the Stars.'
I believe people from the film industry, musicians, dancers, artists and writers are all internally connected. The form of expression externally may vary, but we are connected internally.
It's normal; Arab women have always been very active at the forefront of culture - as film producers since the 1920s; as singers, dancers, choreographers, writers for much longer than that.
What makes people and companies and artistic directors and choreographers interested in working with dancers is the ability to kind of let go of everything you think you know and be a blank canvas.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
The most important thing to do as an artist is to get out of your comfort zone and work with different people: people who can't read a note of music, people who have incredible classical skills, blues and jazz musicians, pop artists, visual artists, dancers and actors. Learn from people who are creative in a different way to you and you'll keep evolving.
I have a lot of relatives that were dancers and musicians and artists. They basically came out of the womb doing it.
I've talked to a lot of artists - painters, writers, musicians - many of whom have had great ideas on trains. The only explanation I have is all that stuff is coming at you while you're relaxed, so somehow it kicks you into hyperspace in terms of brain function.
The minority who actually loves its work seems to be made up chiefly of the writers, dancers, actors and other artists, most scientists above the technician-troll level, computer freaks, and the righteous dope-dealers of California.
The people that have inspired me the most were dancers and choreographers.
Choreographers tend to treat ballet dancers like kids they can manipulate.
We wouldn't be artists, writers, painters, musicians, if we weren't sensitive.
One of the eternal mysteries of ballet is how untalented choreographers find backers for their work, and then find good dancers to perform in it. Is it irresistible charm? Chutzpah? Pure determination? Blackmail? Or are so many supposedly knowledgeable people just plain blind?
The best musicians or sound-artists are people who never considered themselves to be artists or musicians.
Pop artists work really hard, and they might not work for the same things that indie artists do, but they're still musicians, and they're still making art.
The great thing about being the son of Maya Angelou is that I had the good fortune to grow up around some of the greatest black artists, dancers, singers, musicians, and actors of our time.
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