A Quote by Toni Collette
I think when I was younger, I used to sort of long to be a part of films that were really gritty and hardcore in a way.
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I became an actor at a very young age, but I also had a deep respect for nature and I think I was sort of a little biologist when I was younger. I watched documentaries on rainforest pollution and the loss of species and habitats for animals around the world. It affected me in a very hardcore, emotional way when I was younger. So, later in life I wanted to continue that path more and investigate and learn more about ecological issues.
The problem is if you play enough of parts in films that are sort of more financial products than anything or films in which the girl is a thankless, thoughtless, underwritten character along the way, you're no longer the person who had something fresh or vital to offer. I think it really does start to diminish some part of you, to put yourself through things you don't really want to be doing.
When I was younger, me and my brother got a video camera, and he used to direct and I used to act. We used to make these silly, stupid short films, which, looking back now, were probably horrible.
The films that I really liked and the ones that really blew my mind when I was younger were independent films. They're like great records to me.
Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
A good part of why I never went back to England was part of that, I didn't want to be in those sort of flowery films. But I think it's a nice change of pace-I don't know how long it'll go for. There will always be the Merchant-Ivory/Kenneth Branagh movies, but there's something else now-really, it's always been there but the Americans getting to see it makes all the difference.
What is hardcore? Hardcore is not just being hardcore, hardcore is going in the ring and giving 100% of yourself. Hardcore is great fans.
Obviously, I'm quite young and I haven't really thought about what films I'd like to go into yet. I love challenging films, really. I'd prefer to do some gritty, challenging roles. That would be awesome, and really fun. I want to be as diverse as possible.
The movies I like watching the most are these sort of cinema verite, handheld films where you really get gritty with people. But I also have this strange affinity for old Rock Hudson/Doris Day movies and things that sort of pop out where you see the frames, where you have these 2D animation moments and split-screens and things like that.
I think there's been a gigantic shift in the way we talk to each other, and the way that we communicate with each other. So as a filmmaker, the stuff's always been really interesting to me, and I sort of considered a lot of my films horror films, the ones that were relationship dramas, because I feel like it was very easy to look at modern communication and the Internet and cell phones and all that stuff as horror movies, basically.
The way I've described Helen's sort of rigorous honesty I just think he also has tremendously. It's very strange... he just has this sort of way of making it happen really. You're not really aware of being directed, so much as being a part of this thing.
You know, I think there was a point in time when people didn't really understand how birth certificates were kept in the state of Hawaii, and now, I think that it's been pretty much disclosed that they used to have a long form and now they don't have a long form. Arizona used to have a long form, we now have a short form.
The films that I loved growing up were the science fiction films from the late seventies and early eighties [films], which were more about the people and how they are affected by the environments that they are in. Whether they are sort of futuristic or alien of whatever they are; that was the science fiction that I loved. So that is what we tried to make, the sort of film that felt like those old films.
There were a lot of people dreaming about making films, and they would finance maybe 6 films a year. Because they were funded by the government, the films sort-of had to deal with serious social issues - and, as a result, nobody went to see those films.
I think that for the most part, black people specifically have sort of been used as props in TV shows as a way to move story along or as a way to make things more entertaining.
I think I have always tried to do the smaller films. I like to jump around and there is something really nice for acting in a smaller film. But I think now, Hollywood's movies certainly involve a younger generation for the most part and so... I love going back and forth.
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