A Quote by Toni Collette
Oh, I definitely want to direct. I have young children. My job is already big enough, and I imagine it will be even more so as a director, and I don't want to miss out on them growing up. I'm going to wait until they're a bit older before I leap into that seat.
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As I grow and get older, mature a bit, and work on my big boy voice a little bit, I definitely want to direct.
I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it. I definitely want to do that, because I tend to... when I put things in my own words, it comes out way better. It flows naturally, it just feels better. I can put some weight into the words. Even in comedy, it just comes better.
I'd love to be a huge television director. I definitely want to do that. I could imagine me going more and more into that, as I age.
I'm getting older and the performance onstage was definitely, it was a bit sexier, but it wasn't too much. I don't want to scare off my fans. At the same time my fans are growing up with me, and I don't want to go way over the top.
You can't always say and do things and wait until the right moment, when everything is perfectly lined up. As women, I feel like we do that. I just see so many women take the back seat and wait until the right opportunity, and when you do that, you miss out on the best things.
My mother was superb. Even when I said to her, when I was nineteen, oh, I'm going to India. Her immediate reaction was, oh yes dear, and when are you leaving? She didn't say, oh how could you leave me, your mother? Or wait a bit dear until you get a bit older and you know your own mind. She just said, well, when are you going? And that was because she loved me, not because she didn't love me.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
I think girls from a young age know what they want, and boys kind of have to keep up and catch up to them. Even in kindergarten, girls are pretty much the ones that like the boy first and the boys are like, 'Oh, I want to play with my trucks.' They think it's not cool. I think girls are definitely more ahead than boys.
Had I not gone through the ordeal, in more than one country, of landing a job, I would he tempted to lose patience over the number of letters pouring in from fellows who want me or someone else to hand them a job on a silver platter with a guarantee that they will receive the wonderful promotion their talents warrant.... But a tragic number of young men and even older men have a notion that it is not up to them to prosecute the bettering process. They look to someone else to perform the trick for them.
I was definitely scared of fashion growing up just because I didn't want people to think I was gay. But now that I'm out, I feel like it's such a personal journey for me that I'm going on every single day where I feel more and more confident and comfortable to wear the clothes that I want to wear, and to have the interest that I have, and to paint my nails if I want to.
The reason to retire is to try to avoid embarrassment; you ought to do it before people are dropping big hints. You want to be the first to come up with the idea. You don't want to wait until you trip and fall off the stage.
Making fiction for children, making books for children, isn't something you do for money. It's something you do because what children read and learn and see and take in changes them and forms them, and they make the future. They make the world we're going to wind up in, the world that will be here when we're gone. Which sounds preachy (and is more than you need for a quotebyte) but it's true. I want to tell kids important things, and I want them to love stories and love reading and love finding things out. I want them to be brave and wise. So I write for them.
Just work. Don't wait. Everybody's waiting until they have the perfect idea to start working. Even if you have an inkling of what you want to do, start moving towards it. And it's going to flesh itself out through the process of moving towards the goal. And by the time you get to where you're going to be, it's not going to look anything like it did when you sat on the couch thinking about it. And if you wait until it's perfect in your head before you get of the couch and start working on it, that's never going to happen.
I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it.
If you want someone, you have to be willing to wait for them and trust that what you have is real and strong enough for them to wait for you. If somebody jumps ship for you, that fact will always haunt you because you'll know they're light on their feet. Spare yourself the paranoia and the pain and walk away until the coast is clear.
When I write a project, it might be something that I want to do and then when I look at it, I'm actually like, "I kind of don't want to direct it." I don't know why, I still love it enough for it to be made and to support it, but I don't want to direct it. I just give it to other directors and they do a good job!
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