A Quote by Toni Collette

An accent in a way can be an entry into a character. — © Toni Collette
An accent in a way can be an entry into a character.
It's really an organic sort of process. You start off with the character on the page. You fall in love with that character and you have to represent that character well and I think it's just an evolution there. Using the accent and speaking the lines with the accent in fact opens the door to who the character really is.
If you are playing a Hispanic character who has to speak in dialect or in an accent, nail that dialect or accent. When I hear a character that's supposed to be Cuban speaking with a Mexican accent or vice versa, it grates on me and immediately pulls me out of the story.
What I try to do with the accent of any character I play is not necessarily to do something that's generic - an Indian accent and that's how it sounds, for example. I think the accent needs to sound authentic on this person.
I'm definitely more of a 'think game' kind of girl. I'll read every single dialogue and codex entry and lore entry. I really do love projecting myself and creating my character.
The Norse way of speaking, no one really knew what the Vikings sounded liked, they were Norsemen. The accent is really a combination of a Scandinavian accent, maybe with a Swedish accent and an old way of speaking.
I was always amazed the way people would come in looking one way and transform completely to the point where I couldn't recognize their language, their accent, the way they looked, their hair, their face even changed becoming so inside of the character.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
I speak with a Northern Irish accent with a tinge of New York. My wife has a bit of a Boston accent; my oldest daughter talks with a Denver accent, and my youngest has a true blue Aussie accent. It's complicated.
I've heard other actors saying they don't want to play a character with an accent at all. To me, that's kind of an insult to somebody like me who did have an accent.
Only having a short dose of an NBA career, my entry into pro basketball started in 2003 and ended up being an entry way onto the world of business.
My natural accent is American. I chose to speak with a U.K. accent when I was about to enter the final year at drama school in London. I was going to try to find a way to stay in the U.K. after I finished college and could not imagine trying to live and get work there with an American accent.
Pukka sahib or rank outsider--gentleman or bounder--and it's accent, accent, all the way.
It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way.
I've done some version of that Minnesota accent - that Midwestern accent - in sketch comedy for years. It's the quickest way to symbolize you're a mom.
But I just know from experience that accent wise, even if you're an accent genius, crossing the Atlantic is the hardest thing in the world either way.
I know Asian actors out there won't even audition for a role that have an accent. But for me, I was the kid with an accent. I still have an accent to some degree.
This site uses cookies to ensure you get the best experience. More info...
Got it!