A Quote by Toni Kroos

In my opinion, it's only logical that you have to be on the pitch and playing as often as possible to develop further. That's just an absolute basic requirement. — © Toni Kroos
In my opinion, it's only logical that you have to be on the pitch and playing as often as possible to develop further. That's just an absolute basic requirement.
Spin rate itself doesn't make a pitch harder to hit. It just makes it further from what the hitters are used to seeing. It takes a pitch further away from average.
A country can develop only when you ensure these basic rights, let them voice their opinion and give them basic education, hygiene, medication, portable water and when you empower that is true development.
It is a thoughtless and immodest presumption to learn anything about art from philosophy. Some do begin as if they hoped to learnsomething new here, since philosophy cannot and should not do anything further than develop the given art experiences and the existing art concepts into a science, improve the views of art, and promote them with the help of a thoroughly scholarly art history, and produce that logical mood about these subjects too which unites absolute liberalism with absolute rigor.
Personally, I don't think it's possible to do great things alone or through individual actions. On the contrary, I think it is only possible to know what to do in a specific moment once you have understood the zeitgeist, and it is only possible to move things forward if you have a sense of responsibility. And that is exactly the goal I have set for myself: to try to encourage France and the French people to change and develop further.
Blues teaches you to develop coherent solos, because the form you're playing over is so basic. You have to develop leads that go someplace.
The thesis that the universe has an originating divine cause is logically inconsistent with all extant definitions of causality and with a logical requirement upon these and all possible valid definitions or theories of causality.
I've been into photography for years and I do it as often as possible. I'm just trying to develop myself.
In my basic courses I have always tried to develop discovery and invention which, in my opinion, are the criteria of creativeness.
It's always in our mind-set to encourage young girls to get playing. The only way we can do that is being positive off the pitch, trying to engage as much as possible.
Playing further up the pitch, you have more opportunities to score and provide assists, and it's something I liked right from the start.
Is it necessary to practice all these asanas, further and further? Is it necessary to develop scientific researches further and further? To a yogi, the body is a laboratory, a field of experiments and perpetual researches.
Absolute knowledge is only possible when you know the Absolute Truth and to have the Absolute Truth you have to go to the Absolute Being within you which is your Spirit. So, it gives you the truth, it gives you the collective consciousness. The main thing is that you become extremely peaceful personality, you become peace, you emit peace.
I think I speak for all the pundits when I say we are just giving an opinion. I am asked to give an opinion based on my experiences in football and based on what I see out on the pitch.
Of course, the best thing, if you play in the Premier League, you can always develop further as a player, and you are playing against the best players. You are also playing game after game all the time, two or three games a week.
In an essay 10 years ago, I pointed out that it is utterly logical for polygamy rights to follow gay rights. After all, if traditional marriage is defined as the union of (1) two people of (2) opposite gender, and if, as advocates of gay marriage insist, the gender requirement is nothing but prejudice, exclusion and an arbitrary denial of one's autonomous choices in love, then the first requirement - the number restriction (two and only two) - is a similarly arbitrary, discriminatory and indefensible denial of individual choice.
It's not only that I want to get things right when I'm composing but that my imagination often gets lost, and then I have to wait until I come back to the path. I think there's an internal force that makes a piece logical from beginning to end; I like to tell stories in music that are unexpected but also logical.
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