A Quote by Toni Morrison

What's interesting about writing is the invention, the creative thing. Writing about myself is a yawn. — © Toni Morrison
What's interesting about writing is the invention, the creative thing. Writing about myself is a yawn.
That's one thing brands are understanding is, I'm the blogger who's not writing about fashion. I'm not writing about beauty. I'm not writing about gossip. I'm not writing about politics. I'm writing about all of that. I'm the person they can come to if they just want to reach people who care and have their fingers on pop culture.
The writing about what you know thing was a huge one. Not worrying so much about what people think. Just writing for myself and the band is enough.
It's been noted that writing about the production of art is a masquerade or metaphor for writing about writing. This may be true, there are similarities - both the verbal and the visual represent the thing or the concept.
I am keenly aware that in writing about my mother, I am writing about my aunts' sister, and that in writing about my grandmother, I'm writing about their mother. I know that my honesty about how my view of these people has changed over the years may be painful.
Perhaps if there is anything remotely interesting about my writing style, it is this: more often than not I have no idea what the story is going to be about. Sometimes I have a fuzzy vision, or a glimpse of one scene, or a character. But mostly all I have is a random first sentence, and I follow it to see where it might go. For me, writing is the process of discovery, of gradually figuring out what happens in the story and how it ends, that makes writing an interesting process for me.
Actually, I've taught creative writing in Turkey, at an English language university, where the students were native Turkish speakers, but they were writing their essays in English, and they were very interesting - even the sense of structure, the conventions of writing, the different styles of writing.
I started out in life as a poet, I was only writing poetry all through my 20s, it wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels, I liked them.
I started out in life as a poet; I was only writing poetry all through my 20s. It wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels; I liked them.
Writing about conflict has provided these dramatic opportunities to talk about really substantial moments in a person's life. I'm not writing about superheroes; I'm writing about ordinary people.
Writing is not about making a buck, not about publishers and agents. Writing is not about feeling good. Writing is about pain, suffering, hard work, risk, and fear.
There is so much about the process of writing that is mysterious to me, but this one thing I've found to be true: writing begets writing.
To me there is no such thing as creative writing. It's either good writing, whatever the subject, or it's not creative.
To write more from memory and to be more creative - I think - because I am still writing about Los Angeles but I can't walk out my door and immediately drive to places I am writing about. So I think it has been a very good change for me after 11 books to start writing this way.
I've always as a performer on stage tend to sort of throw myself into the character, whatever I've written about, so it depends on how I'm writing or what I'm writing about.
By ignoring a lot of American culture you can write more interesting stories. Unfortunately, if you were writing about America as it is, you'd be writing about a lot of people sitting in front of television sets.
I was able to notice in a very early stage, there were discrepancies between the people who are writing the songs and discrepancies about the self that I was writing about. I was feeling that there were all these different people, both writing the record and having the record being written about them, even though ostensibly it was me sitting down and documenting a series of life experiences. Part of that, when I recognized this unconscious thing I was doing, was about these spaces, about these gaps.
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