A Quote by Toni Morrison
I always looked upon the acts of racist exclusion, or insult, as pitiable, from the other person. I never absorbed that. I always thought that there was something deficient about such people.
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When I was a kid growing up, I always thought I would be a journalist, and I thought, you know, I'd cover stories about other people, and we're always taught never to make the story about yourself.
I always wanted to be the person to whom people looked forward to give opportunities. As opposed to always being the person who wants to work with others and who is always the backup: where it's like, 'If nothing works out then OK, let's get this person.'
But I've never met a racist yet who thinks he's a racist. That's always the disturbing thing about when we begin to look at ourselves.
I first noticed my varicose veins when I was pregnant with my second child, and I'd always thought that it was something that affected older, inactive people. I looked at my lifestyle and thought, 'I can't be a candidate for this.' Eventually, the pain became something I couldn't ignore.
With scripts I've always looked at them and thought about kids, you know? Thought about the world and the impact... I won't do nudity and I never felt comfortable with that whole idea or things with huge sexual content - not my thing.
I always thought, I can't waste time, I have to do work. I also thought that I was slower than other people, that I had to concentrate more. I always thought, I'm not brilliant, I have to work. That was something I embedded in myself very early: I have to go home and write. But did I get any more work done than people like Frank O'Hara, who were always going to parties? Probably not.
It's always difficult to see yourself as other people do, but I'm realistic about my appearance. I wasn't born with one of those pretty, pretty faces, so I've never been absorbed with the way I look. I just try to make the most of what I've got.
Regardless of the fact that in this country, certainly in the arts, we treat comedy as a second-class citizen, I've never thought of it that way. I've always thought it to be important. The last time I looked, the Greeks were holding up two masks. I've always thought of it not only as having equal value, but as the craft of it, being funny.
And regardless of the fact that in this country, certainly in the arts, we treat comedy as a second-class citizen, I've never thought of it that way. I've always thought it to be important. The last time I looked, the Greeks were holding up two masks. I've always thought of it not only as having equal value, but as the craft of it, being funny.
I think all Nazis didn't see themselves as bad people. I've never met a racist yet who thought he was a racist. Or an anti-Semite who thought they were anti-Semitic.
And I think all Nazis didn't see themselves as bad people. I've never met a racist yet who thought he was a racist. Or an anti-Semite who thought they were anti-Semitic.
For white people, their identities rest on the idea of racism as about good or bad people, about moral or immoral singular acts, and if we're good, moral people, we can't be racist - we don't engage in those acts.
I've always followed my father's advice: he told me, first to always keep my word and, second, to never insult anybody unintentionally. If I insult you, you can be goddamn sure I intend to. And, third, he told me not to go around looking for trouble.
No matter how much we know about the other person, there is always something going on in that other heart and that other head that we don't know but can only ponder. And no matter how we explain ourselves to someone else, no matter how open we are, there is always still something inexplicable, something hidden and unknown in us, too.
My goal has always been to introduce other people to running. They might accomplish something they never thought they could.
My favorite part about my job is not that it is never boring; it is that it is always exciting. There is always something new to learn. There is always something interesting to get from someone else. Whether it is an actor, or a sound engineer, there is so much to learn and there will never be nothing to learn. There is always something there.
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