A Quote by Toni Tennille
Once you've established yourself with hits that become part of people's lives, then they pretty much always want to see you.
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'Established' is a good word, much used in garden books,
'the plant, when established' ...
Oh, become established quickly, quickly, garden!
For I am fugitive, I am very fugitive -
Those that come after me will gather these roses,
And watch, as I do now, the white wisteria
Burst, in the sunshine, from its pale green sheath.
Planned. Planted. Established. Then neglected,
Till at last the loiterer by the gate will wonder
At the old, old cottage, the old wooden cottage,
And say, 'One might build here, the view is glorious;
This must have been a pretty garden once.
You want to tell a great story. You want these characters to become part of people's lives. And then, hopefully, that generates discussion.
I think people's perception is that when you're famous, you want people to love you. That's a big part of why people become famous, because they don't just want love, they want it on a grand scale. But once you realize - and it's not a big trick to really figure it out - that it's just completely artificial, an external pumping of the ego that's never going to really help you, then it's an easy thing to step out of it. That's probably why Harrison Ford lives in Jackson Hole, Wyoming.
Much of my life had been devoted to trying not to cry in front of people who loved me, so I knew what Augustus was doing. You clench your teeth. You look up. You tell yourself that if they see you cry, it will hurt them, and you will be nothing but a Sadness in their lives, and you must not become a mere sadness, so you will not cry, and you say all of this to yourself while looking up at the ceiling, and then you swallow even though your throat does not want to close and you look at the person who loves you and smile.
Once you believe in yourself, you can pretty much do whatever you want in my opinion, so that is the main thing.
Once I established myself doing crazy things and being extreme, people want to see it all the time.
If you begin to have a relationship where you're doing what the guards want, and once you're out you will see that as a treason, a treason to your country, a treason to yourself, a treason to everybody, so you have to be very cautious on what is the perspective you're looking at yourself, and you have always to see yourself like from the outside.
And that's what people want to see when they go to the theater. I believe at the end of the day, they want to see themselves - parts of their lives they can recognize. And I feel if I can achieve that, it's pretty spectacular.
We don't always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly--as if out of the sky, or as if there were a direct flight from Heaven to Earth--the same sudden way we lose people, who once seemed they would always be part of our lives
I guess the biggest lesson would be to have faith in that little part of yourself that knows what it's doing, knows what it wants, knows what you should be doing, even when all the clamour around you is telling you something else. That's the part that you want to keep alive and that's the part that people want to see when they see you on the screen.
Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where , the painting is always saying, 'What do you want from me? I can only be a painting.' You have to go from part to part, but you shouldn't see yourself go from part to part, that's the whole point.
When you see the abyss, and we have looked into it, then what? There isn't much room at the edge -- one person, another, not many. If you are there, others cannot be there. If you are there, you become a protective wall. What happens? You become part of t
I've always kind of been a little skeptical about bands that won't play their hits. That's really arrogant to me as a music fan. I do want to hear obscure songs, but like most people, I want to hear the hits, so we always play them.
Making a record is a lot like surgery without an anesthetic. You first have to cut yourself up the middle. Then you have to rip out every single organ, every single part and lay them on a table. You then need to examine the parts, and the reality of the situation hits you. Then you pop it all back in, sew yourself shut and perform.
I pretty much started the lyrics and I hit a roadblock and I think Kerry finished them up. Then I came back and did the ending part. The whole 'Raining Blood.' That part. But it pretty much came together easy. It's a short song.
Gorgeous, amazing things come into our lives when we are paying attention: mangoes, grandnieces, Bach, ponds. This happens more often when we have as little expectation as possible. If you say, "Well, that's pretty much what I thought I'd see," you are in trouble. At that point you have to ask yourself why you are even here. [...] Astonishing material and revelation appear in our lives all the time. Let it be. Unto us, so much is given. We just have to be open for business.
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