A Quote by Toni Tennille
My mother did play classical piano, not that well. And actually, my father sang with the big bands - he sang with Bob Crosby's band - but he had to give up show business when his father died. He had to come back to Montgomery and take over the furniture store.
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My father has a beautiful, beautiful voice. His father was a pastor of a church. He sang in church. My mother sang in a church choir. I can take no credit for my vocal talent, because, both my father, and mother have beautiful, beautiful voices.
My father had played cornet, although I never saw him play it. I found his mouthpiece when I was a kid. I used to buzz it. And my mother played piano and sang in the church choir for different functions. So there was always music in the house, jazz, gospel, or whatever. Especially jazz records.
I always sang when I was little and my father, who was a great influence on me, also had a wonderful voice. He and my mother really encouraged me to sing and play the piano. They were always very supportive.
I played piano growing up. I played classical piano since I was 5, and I sang in choirs, and I sang in plays and musicals.
My mom tells this story that even when I was in the womb, my father played the piano and she sang. So, before I officially got here, I was already surrounded by music. I also like the way my father explains it. When I was about 3-years old, in order to keep me quiet, my father would put me in the bassinet and either put on some music or play the piano. When he started playing, I got quiet and eventually went to sleep. He said by the time I turned 3, I just climbed up on the piano and started playing it with the attitude of I'm gonna play dis here piano.
A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about
I had to take over the reins of the company at a time when I did not know a thing about the business. The producers who were committed to work with my father wanted to back out because they felt I would not be able to sell their film's music the way my father did.
My mother and my father always had me in ballet and dance, and I sang in a girl's group.
XI I sang his name instead of song; Over and over I sang his name: Backward and forward I sang it along, With my sweetest notes, it was still the same! I sang it low, that the slave-girls near Might never guess, from what they could hear, That all the song was a name.
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
I sang in a reggae band. And then there was a soul band where I sang back-up vocals and some lead. And I was also in a women's a capella group. And I was in the gospel choir at school. Actually, I've always been in choirs. Or some kind of group. Just because I love singing so much. But I truthfully never thought of it as a career.
My whole life I saw how the violence my father created had come back to my family and I thought that I would only make things worse for my mother and my sister if I sought to avenge my father. I had to dare to take a path of peace.
My parents had a love for music. There were so many records, so much music constantly being played. My mother played piano, my father sang, and we were always surrounded in music.
My father had his own business, a clothing store, which he inherited from his father. He travelled abroad frequently and was quite extravagant, so we had skiing holidays and summer holidays on the beach.
My father, Cecil Banks Mullis, and mother, formerly Bernice Alberta Barker, grew up in rural North Carolina in the foothills of the Blue Ridge Mountains. My dad's family had a general store, which I never saw. My grandparents on his side had already died before I started noticing things.
On 'Sullivan,' you sang live. Not only that, you sang with a 40-piece band. So you had instruments that weren't even on the original record! So this was when the rubber met the road - when you had to really learn how to perform. And it was for 10 or 12 million people. So that was a challenge.
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