A Quote by Tony Bellew

Getting into character to become 'Pretty' Ricky Conlan for the 'Creed' film was surreal. — © Tony Bellew
Getting into character to become 'Pretty' Ricky Conlan for the 'Creed' film was surreal.
Ricky Ricky Ricky, can't you see? Somehow your words just hypnotize me.
I approach 'Fast & Furious 6' the same way I would approach a Sidney Lumet film. Getting into character's getting into character.
You get to know a character that you play on-stage in a pretty profound way over a length of time. I don't want to sound highfalutin and say you become the character, you just start bringing more and more of yourself to the part until the character and actor, it's hard to tell them apart. It's some weird amalgam. In film, because of the period of time, I don't know that you ever get that deep into it.
I think the film and TV industry - the acting world - has a tendency to attract a lot of people for the wrong reasons; reasons that are less than artistic. It has a tendency to be pretty superficial, and pretty shallow and fake. I think what New Zealanders and Australians - and the English, I guess - have to offer is that we don't carry a lot of that baggage. We come over and we're pretty grounded. But on the flip side of that, you end up in a very unfamiliar environment being treated in a way that's a little bit surreal.
I knew that Sylvester Stallone's involvement would outweigh everything else from the film. I think people went into Creed expecting a boxing movie and something that superficially ties Stallone in, but Creed was really well written.
My job as a character actor is to make me fit the character, to serve the character. To present this human being who turns up in a piece of film or entertainment that's going, you know, exist as if it might exist after the film is finished and it existed before the film has started.
I find that male directors are more interested in what the film looks like as opposed to what the film is about emotionally. My job is not to make the film look pretty, and I don't feel drawn to making myself look pretty within the film.
I'm a pretty big Ricky Gervais fan.
If you look at the game and everything, it's not quite like looking at an animated film, because that's total character. This, this is really movement, but it's got funny little things if you look for the humor. They're actually getting to the character.
I got my first film, 'Ladies vs Ricky Bahl,' easily.
In 'Road,' my character is linear and uni-dimensional. It was more of a reacting character. I am a foil to the other characters in the film. It is the most normal character in the most abnormal, extraordinary film.
I have followed the Church in giving our party program the character of unalterable finality, like the Creed. The Church has never allowed the Creed to be interfered with. It is fifteen hundred years since it was formulated, but every suggestion for its amendment, every logical criticism, or attack on it, has been rejected.
I'm a relatively ugly character who's done pretty damn well in film.
I would rather have played a character like Opie than Little Ricky.
Nobody gives a damn that I was in 'Head Of The Class,' but when they know I was Ricky in 'Better Off Dead,' they're like 'Holy crap, man! You were Ricky.' They go crazy.
Every creed is a rock in running water: humanity sweeps by it. Every creed cries to the universe, "Halt!" A creed is the ignorant Past bulling the enlightened Present.
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