A Quote by Tony Benn

I'm interested in language. We used to call it the War Office. Then it became the Ministry of Defence. We used to talk about the hydrogen bomb, now we talk about a deterrent. And the language is very cleverly constructed to give the impression that it's not what it is.
We used to have a War Office, but now we have a Ministry of Defence, nuclear bombs are now described as deterrents, innocent civilians killed in war are now described as collateral damage and military incompetence leading to US bombers killing British soldiers is cosily described as friendly fire. Those who are in favour of peace are described as mavericks and troublemakers, whereas the real militants are those who want the war.
I am very aware that playwrights, particularly good ones, have a intention for everything they write. Language and punctuation is used specifically, and most of the time actors can find wonderful clues about character in the rhythm and cadence of the language used.
A lot of talent, a lot of the currency that movies used to have, has spilled over into TV. People talk about TV the way they used to talk about movies and, as much as I hate to say it, the way they used to talk about books.
We're not sure that if there's chemical weapon used and who used it. We can't talk about virtual things, we have to talk about facts.
Most people, when they reach a certain age, let down and talk about what they used to do. Well, who gives a damn about what you used to do? It's what you're doing now.
Let’s talk, you and I. Let’s talk about fear. The house is empty as I write this; a cold February rain is falling outside. It’s night. Sometimes when the wind blows the way it’s blowing now, we lose the power. But for now it’s on, and so let’s talk very honestly about fear. Let’s talk very rationally about moving to the rim of madnessand... and perhaps over the edge.
People talk about the age and positioning of a brand, but hell, it's not about that. The global language is digital, and we need to speak the language.
Lying is the misuse of language. We know that. We need to remember that it works the other way round too. Even with the best intentions, language misused, language used stupidly, carelessly, brutally, language used wrongly, breeds lies, half-truths, confusion. In that sense you can say that grammar is morality. And it is in that sense that I say a writer's first duty is to use language well.
Because everyone uses language to talk, everyone thinks he can talk about language.
When we talk about total war, and we talk about war zones, and we talk about the breakdown of the cities, when you exclude questions of race from that discourse, something disappears that's really central to the forms of repression that we're talking about.
Unfortunately, we're using the same language to talk about the language we'retalking about.
The Urdu or Hindustani language we use isn't popular in theatre these days. It was a language that was being used in cinema from the 1950s until the '80s. It is a very communicative language.
TV has become long-form now. A season can be like a 13-hour film, separated into episodes, so you can analyse a character for five years and talk about the things that films used to talk about but don't any more.
Language is remarkable, except under the extreme constraints of mathematics and logic, it never can talk only about what it's supposed to talk about but is always spreading around.
It's liberating to perform in another language. There are some subjects I would never talk about in French, where they see me as a public figure, that I talk about in English.
Music is so hard to talk about in many ways, It communicates beyond what our language can put across, and having to sit there and analyze it and talk about it is a struggle for me.
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