A Quote by Tony Bennett
I have to say I owe my career to the master composers of the Great American Songbook who have written such high-quality songs - the best popular music ever composed.
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In America, at the beginning of talkies, they pulled Fred Astaire from the theaters and put him on the screen and had all of these great composers write songs for him. They call it the Great American Songbook; I call it the Fred Astaire Songbook because they were written for him.
The MTC is known for singing music by great master composers, hymns, American music, Broadway numbers, popular songs, and inspirational music. If the audience doesn't like one genre, they need only wait for the next number.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
For many years, I've always been attached to what they call the Great American Songbook, and Kern was a great leader of that because he had the classical training of Europe. He impressed all the greatest composers, like Cole Porter and Gershwin. They couldn't believe he was writing the songs he was writing.
I'm an American songbook guy, though I've got eclectic tastes. I really love the American songbook. I've taken up the ukulele, and so you can play 'Five Foot Two' and Hawaiian music, but you can also do some of the great tunes, like 'You Go to My Head,' 'I Guess I'll Hang My Tears Out to Dry,' 'Taking a Chance on Love.'
Copland was one of the first American composers to forge a truly modern style of American classical music while also making use of American popular music - including jazz.
I've always loved Elton John and that is one of my favorite songs by him and Bernie (Taupin). The American songbook is ever-expanding and I feel like it works well with what I was trying to say.
I think I've got to go back to 'Someone to Watch Over Me.' I think it's a perfectly written song. I really do. I think it's one of the great songs in the American Songbook, and it speaks to love in its simplest and purest form.
It is the responsibility of music composers to add some classical music elements into their songs to make the music genre popular.
My initial training was on the keyboard - mainly the great American songbook. In junior high, during the day, I was a classical clarinetist, but after school, I played New Orleans jazz and big-band music.
I've only written 30 songs or something. Dylan's written over 500 songs. There's no comparison. He's the Shakespeare of rock 'n' roll and popular music.
People think jazz music is all standards and the Great American Songbook. But it's really about the sensibility, the feel you bring to the music.
The United States created the best popular songs that were ever written, and from the 1920s to the 1940s, it was a renaissance period. It stopped in 1950.
My style of music is the great American songbook meets the pop world of the Seventies and Eighties.
I am not one of the great composers. All the great have produced enormously. There is everything in their work - the best and the worst, but there is always quantity. But I have written relatively little.
The choice that I made was from my best music, for the songs that I knew that the public liked. Then, when I recorded my new songs I found that my old material had not faded, it was still current, the music was good and the songs were great. I sat in my house and listened, got the chills, and I thought, how great is that? It hasn't dated, it hasn't gone anywhere, and it's great.
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