A Quote by Tony Bennett

The young people look great on television. They're youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven't got the training to hold an audience for an hour and a half or so.
The young people look great on television. They’re youthful and have a lot of zip and energy, but when you see them live, they can only do about 20 minutes because they haven’t got the training to hold an audience for an hour and a half or so.
'Cause a musician, you can't tell me, "I've got this message I want share with the public," and it's three-and-a-half minutes long. That's not it. If your message is only three-and-a-half minutes long, then we got nothing else to talk about. Because life is more complex than three-and-a-half minutes.
It was great fun. We had gone on tour in between the sessions and reconnected with the audience and got a lot of energy back from them, a lot of positive energy.
Of course I love when people are quiet, but I also love when people are comfortable. I love when people emote. The flip side of having a totally silent audience is that they're less likely to react to you in the space, and I think that's one of the great things about performing live: you get energy from the audience, and you give energy back to them. There's interaction.
I was lucky enough to get to perform on stage in front of 20 million people on TV, and 150 thousand in concerts. For 15 minutes I got to be a rock star, the 15 minutes is great! It turns into Spinal Tap after 20 minutes.
Interviewing people, I don't miss that at all. I do miss kibitzing with the audience because after every show I would spend half an hour to 40 minutes talking to people.
I really take pride in doing my own make-up all the time, which takes me about 40 minutes, and my hair takes another 15 to 20 minutes. Putting on my gear is probably another 15 minutes, so all in all, I don't think an hour and a half is too bad!
In television, the cuts are so quick: bang-bang-bang-bang-bang! I want to shoot two people and sit there for eight minutes and watch them. I've got a lot to learn about television and about the best ways to tell stories directorially in that medium.
When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and that's definitely reassuring.
When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and thats definitely reassuring.
I used to live on the other side of Canberra so it'd take me about 20-25-minutes to come into training. I was so thankful to have a car. Mum was also happy because she had all this extra time instead of driving me to training, waiting around, and then taking me home.
I only like the live audience. I don't even like to do standup where it's being filmed. Because it affects the way the audience responds to what you say, because it makes them uncomfortable. You have to perform in a light room, and I prefer a dark room. But I love to perform, and I don't really see myself doing any television at all.
I think the challenge in hour television or half-hour television is that the more it's around, certainly on commercial television, the less time you have to tell stories these days, because the more commercials they're putting in.
Americans! They want to go 600 miles an hour, and they don't know how to walk! Look at them in the street. Bent over. Coughing! Young men with gray faces! Why can't they look at the animals? Look at a cat. Look at any animal. The only animal that doesn't hold its stomach in is the pig.
I do yoga three times a week, and I walk for a half hour every day. In between, I get on the elliptical and my triple thigh trainer - I really do use the Thighmaster! - and do about 20 minutes on each of those. I also walk up and down the stairs a lot.
Children, a lot of times, can't make their parents wrong because they have to live with them, because they have to love them. And when you're young, you can't get on your Big Wheel and go down to the Best Western. You've got to live there and you've got to figure it out.
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