A Quote by Tony Corinda
At the finish of the effect look at the audience: if they have gone white in the face, froth at the mouth with excitement,shake at the knees or get down on the floor and salaam you-it is quite a fair trick.
Related Quotes
Then they held my mouth shut for a while and hit me in the face, and with a whip across chest and back. I then collapsed, rolled on the floor, always keeping face down and no longer replied to any of their questions.
The floor of ice cream parlor bothered me. It was black-and-white checkboard tile, bigger than supermarket checkboard. If I looked only at a white square, I would be all right, but it was hard to ignore the black squares that surrounded the white ones. The contrast got under my skin. The floor meant yes, no, this, that, up, down, day, night -all the indecisions and opposites that were bad enough in life without having them spelled out for you on the floor.
I do chores around the house, but I don't get an allowance for them. I wash the dishes and sweep the floor... I'm sweeping the floor quite a lot, and my mum always expects me to get a broom and swagger it across the floor all the time.
I'm actually quite a nice person. It's to do with the way I look, an uncompromising sort of face, brusque delivery and voice, and I think the combination of all that. When I'm doing pantomime, children will scream the place down before I open my mouth. There's obviously something that really gets them.
There's a lot of strength in the U.S., but there's a lot of froth also. The froth will blow off. We're going to have to face up to some realities that we're not fully facing up to right now.
With a live audience, if you sing with the right feeling, the response you get is a high, an excitement. There's nothing in the studio that can give you anything quite like that.
You know, when you finish the day, and you finish the scene, you don't get a chance to go back to it. So you wanna make sure that everything is left on the floor.
I don't-" I shake my head. (...) "What? What were you going to say?" This is another trick of shrinks. They never let you stop in midthought. If you open your mouth, they want to know exactly what you had the intention of saying.
I don't focus on how I'm gonna get the finish or how I would like to get the finish. I focus on just my game plan that I've gone over with myself, my coaches. If the finish comes it comes.
Libido, fascination, too much oral defecation. White trash get down on your knees, time for cake and sodomy.
I used it in a shot where Richard Burton goes down the hall to get a gun in a closet. And I wanted to get some excitement, and the hallway was too narrow for the dollies that they had at that time. So it was quite useful.
the only truth is face to face, the poem whose words become your
mouth
and dying in black and white we fight for what we love, not are
I figured out how to get the guitar to rumble...I put it on the middle pickup, turn the tone know down, grab it by the wang bar, and just shake it on the floor... a Stratocaster is pretty tough - I wouldn't recommend that anybody do that with their ES-335
I'm Armenian, but I'm very fair and I look white... I would always get such hate about it.
Up on the roof Tatiana thought about the evening minute, the minute she used to walk out the factory doors, turn her head to the left even before her body turned, and look for his face. The evening minute as she hurried down the street, her happiness curling her mouth upward to the white sky, the red wings speeding her to him, to look up at him and smile.
I think relationships are very difficult. It's very easy to get swept away with excitement, glamour, and passion. I think the trick is to look for friendship rather than passion.
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