A Quote by Tony Curtis

Burt Lancaster was a very powerful and intriguing person. That essence of what he was, is the very thing that you and I see on the screen when we watch him. — © Tony Curtis
Burt Lancaster was a very powerful and intriguing person. That essence of what he was, is the very thing that you and I see on the screen when we watch him.
I very much admired Lancaster. George Clooney reminds me of him today. Not all the macho, swinging around that Burt used to do, but the courage. You know where you stand with men like that.
It's a very different thing when you're able to read something and see it in your mind, then to imagine it on screen. It's emotional transference that you don't have in literature that you have in movies. People invest in the person they see on the screen and they can't shift gears.
For better or worse we live in a very exposing [time] where, if you choose to, everyone can see everyone's business. You see what they're having for breakfast, where they are, what they're doing. Whereas I think that classic idea of mystery is very seductive. Not knowing every single thing about a person, what they're thinking, that's very powerful. And it would be a shame if we lost that totally.
When you get old the worst thing is you lose so many friends. Burt Lancaster, Frank Sinatra, John Wayne. People who I loved to work with.
I think there's something to the millennial sentiment of being, like, 'I'm great.' But I think there's also something really amazing and powerful about being, like, 'Oh, hey, I'm awesome.' It's a fine line. But I think it's possible to be both, to not be the most annoying person in the world, to still be very intriguing and fun to watch.
Burt Lancaster was largely responsible for me becoming a director.
I think diversity and multiculturalism on TV and on the screen is such a powerful thing. And to be honest, it's a very American thing.
Messi is a genius. He has everything. When I watch him, I see a player who is very, very skilful, very clever and his left foot is like Diego Maradona's.
I have never watched property programmes. I watch Property Ladder, because I feel it's very rude for a director to work very hard on a programme and you can't be bothered to even watch it. So I do watch it, but I have to turn away when I'm on screen. It's quite unpleasant seeing myself up there.
I really don't like watching myself and for the most part I will never watch myself. I worked with Kevin Smith on Yoga Hosers and I really respected the way that he directed. He told me, "It's very important to watch yourself." So he would direct by going, "Hey come over to the screen and watch this scene." And so it was very uncomfortable for me to have to watch myself but then he talked me through the process of that and it was very helpful.
I get very, very bored by TV series or TV movies. But when you see great acrobats on TV, my eyes stick to the screen. I can watch them forever.
Animation translates well to a small screen. When you look at Walt Disney or Chuck Jones - you know, Bugs Bunny - there really isn't any difference if you watch on a very big screen or a computer screen.
No one can become fully aware of the very essence of another human being until he loves him. By his love he is enabled to see the essential traits and features in the beloved person; and even more, he sees that which is potential in him, which is not yet actualized. Furthermore, by his love, the loving person enables the beloved person to actualize these potentialities. By making him aware of what he can be and what he should become, he makes these potentialities come true.
I'm so lucky to have worked with Burt Lancaster, who I remember was one of the first people I'd heard swearing in a really interesting way.
The very essence of all power to influence lies in getting the other person to participate. The mind that can do that has a powerful leverage on his human world.
I was not into sci-fi, science fiction, at all. I was into some of the old pirate films with Burt Lancaster and stuff. I liked them.
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