A Quote by Tony Curtis

I will always remember this summer day in Paris, when I was to perform a great acrobatic move. I can still see myself stepping on the ring of a packed circus along real performers.
We have all seen these circus elephants complete with tusks, ivory in their head and thick skins, who move around the circus ring and grab the tail of the elephant ahead of them.
I always go in with the feeling that I'm gonna have a good time in what I'm doing. I entertain myself when I perform. If I do that, then I can see the other performers enjoying my character.
When I look at great singers like Sinatra, Bennett and (Tom) Jones, I see great performers that can really move an audience. I really consider myself a troubadour privately and a song-plugger publicly.
A film set is all about hierarchy, but I always like to think about the circus. In the circus, there's this real sense of tribalism, and they're all on the road together. I don't think the ring leader is more important than the clown. They all work together, and I think that I felt that on 'The East.'
It's real easy to talk about stepping in the ring, but once you do actually step in the ring, it takes a lot of courage and mental fortitude to do what we do.
In Adrenaline Mob there are five guys that are all absolutely insanely energetic performers each of their own right. It's like a five-ring circus on stage!
I've seen so much. And I've heard so many great performers. There are performers now that couldn't work back in the days when I came along.
Love has been described as a three-ring circus: First comes the engagement ring, then the wedding ring, and after that the suffering.
I met Les Paul when I was about 5. I was taken to see him perform and the place was sold out, just packed and full of really great musicians.
I remember how, when I lived in Paris, there was a McDonald's, and I'd always see Americans eating there and think, 'Why do they come all the way to Paris and eat at McDonald's?'
When the politicians complain that TV turns the proceedings into a circus, it should be made clear that the circus was already there, and that TV has merely demonstrated that not all the performers are well trained.
Even when you spar for real and fight with full contact in training, you get hurt or you hurt someone and you see them trying to fight back. I want to inject as much reality as possible into fight scenes, even if some of the moves are slightly larger than life, if the emotion is there you'll then still be able to buy it. I recall seeing some films where people perform an acrobatic flip mid-fight and land with graceful precision and it's almost like watching Zorro... it's almost whimsical but you're no longer engaged.
I find I think of myself not as a writer so much as someone who provides a gateway, a tangential route for readers to reach the circus. To visit the circus again, if only in their minds, when they are unable to attend it physically. I relay it through printed words on crumpled newsprint, words that they can read again and again, returning to the circus whenever they wish, regardless of time of day or physical location. Transporting them at will. When put that way, it sounds rather like magic, doesn't it? p.369
I come from a very small island which is packed with people. I mean, jam-packed with people. I've lived a life which has been pretty much full up with ambition, ideas, stimulus, creativity, some negativity, which I try to avoid. Austin is a great sort of stepping-off point, if you like. I'm from a temperate climate.
Great performers are preparing and practicing for a winning day while everyone else is still asleep.
Beauty is Nature in perfection; circularity is its chief attribute. Behold the full moon, the enchanting golf ball, the domes of splendid temples, the huckleberry pie, the wedding ring, the circus ring, the ring for the waiter, and the "round" of drinks.
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