A Quote by Tony Curtis

I was born in and worked in a period that could be called enviable. — © Tony Curtis
I was born in and worked in a period that could be called enviable.
The director of the [Grimm] pilot called me in. I had worked on a pilot called Love Bites with him, and the producers I worked on with on Hot In Cleveland, so they knew me from comedic worlds, and they wanted someone who could be light too. Because it is pretty heavy.
I was always, you know, a decent player growing up. And yes, I was born with a certain amount of so-called 'natural ability.' But I also worked and sacrificed a lot to try to maximize what I was born with - which I think is important to point out.
In a world in which there is so much to interest, so much to enjoy, and so much also to correct and improve, everyone who has this moderate amount of moral and intellectual requisites is capable of an existence which may be called enviable; and unless such a person, through bad laws, or subjection to the will of others, is denied the liberty to use the sources of happiness within his reach, he will not fail to find the enviable existence
The most enviable praise of all is just to be called an honest man.
I always felt that I was born in the wrong era. I wanted to be friends with John Garfield, for instance. He was one of the only actors that refused to testify in front of the House Un-American Activities Committee back when the Hollywood Ten blacklist was happening in the McCarthy period. I wish I could've been friends with Charlie Parker and played with him. That's my period. I feel real close to the '40s - and actually I was born in '37, so I was a kid singing on the radio in the '40s. But I always dreamed of going to big cities.
You could not be born at a better period than the present, when we have lost everything.
I did this thing for HBO called 'Strip Search' with Sidney Lumet, who was one of the best directors I've ever worked with. We actually had a rehearsal period before we shot, which is unusual.
There are four of us, and we were all born in different cities because my dad worked all around the place. We settled in Birmingham, so I spent most of my time growing up there. We were all given very Welsh names - Geraint, Owen, Rhiannon and Gwilym. My mum's called Cainwen, and my dad is somewhat disappointingly called Tom.
I'm sure it's not any wish of mine that I'm born with inclinations for better things. If I could be born again, and had the designing of myself, I'd be born the lowest and coarsest-minded person imaginable, so that I could find plenty of companionship, or I'd be born an idiot, which would be better still.
I was thrust into a really lofty, enviable, but isolated position with 'Princess Diaries' in that I could carry a film before I really knew if I could act.
I wish I was born 20 years earlier so I could have worked with Bimal Roy, Guru Dutt, and K. Asif.
If I could have worked from the time I was born until I was 18 and never had to work again, I would have done it.
My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
When Michael Bay called me, I'd worked with him before on 'The Rock,' and he called me and said, 'Tony, I might have something for you.' I said, 'Okay, you haven't called me in ten years!' He said, 'I've been busy!' I said, 'I've been busy too Michael, glad we could make our schedules match!'
You could believe that Sinbad could fight a skeleton because that's from a period in the past, a magical period. But if you had James Bond fighting a skeleton, it'd be almost comical.
Growing up in the South, I was raised to be a Negro boy. I was acutely aware how other people perceived me, and that informed my behavior. That worked for a period of time, but it could also be suffocating.
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