A Quote by Tony Curtis
Even on a personal note, my dressing table downstairs is crowded with things, like a mini landscape. It's a city with buildings and towers and roads. There's a pool and a little park. When I move something around it becomes a different tableau.
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My untidy habits drive me to follow the slash-and-burn principle. Work on a virgin table until the mess becomes unbearable, then move on to a clean table in a clean room - or, on a beautiful summer day like this, one of the five tables dotted around the garden. Trash that table and move on again.
There are different 'It' factors for different players. There are all kinds of different personalities of quarterbacks around the league, but there are a lot of good ones and they don't necessarily think and act alike. But I do think there are moments during games even on the collegiate level where you can see that this guys is something different, someone sees things differently, they see things a little bit quicker, they're a little bit more cognizant of what's going on. I think it's something like that.
When I thought about Detroit, I would think big city, very urban - not a lot of places to walk around, not a lot of parks. I sort of pictured Manhattan almost, where, besides Central Park, it's all city and big buildings. But now that I'm here, you see people pushing strollers, people hanging out in the park.
I have this table in my new house. They put this table in without asking. It was some weird nouveau riche marble table, and I hated it. But it was literally so heavy that it took a crane to move it. We would try to set up different things around it, but it never really worked. I realized that table was my ego. No matter what you put around it, under it, no matter who photographed it, the douchebaggery would always come through.
Societies raise their grandest monuments to what their cultures value most highly. As the tallest buildings in a city noted for tall buildings, the Twin Towers of the World Trade Center were certainly monumental.
When I first came to New York City, what I was thrilled about was not the Empire State Building, or the Statue of Liberty; it was the fireplugs in the street. These things that Jack Kirby had drawn. Or these cylindrical water towers on top of buildings that Steve Ditko's 'Spider-Man' fights used to happen in and around.
When I started studying architecture, people would say, you know, 'Can you tell me why are all modern buildings so boring?' Because, like, people had this idea that in the good old days, architecture had, like, ornament and little towers and spires and gargoyles, and today, it just becomes very practical.
when all of life becomes crowded with profound and weighty matters, making time to engage in trivial things becomes an even greater priority.
There was a note on my dressing room table that said, Call Neil Young.
The sensitive ear of the musician detects a certain musical note in every city which is different from that of another city. He hears in each little brook a new melody, and to him the sound of wind in the treetops of different forests give a varying sound.
The way you move — you orient yourself around him without even thinking about it. When he moves, even a little bit, you adjust your position at the same time. Like magnets… or gravity. You’re like a… satellite, or something.
Chaoyang Park Plaza is about how to carry the traditional culture into a new format in modern architecture. Instead of building a boundary between the city and the park, I tried to design this building to emerge from the natural landscape.
For Coca-Cola, they wanted a hippie-looking girl to walk around the city with a bucket of chicken sitting in Central Park, sitting on Central Park South, walking along all these different areas of New York that people are familiar with, and just eating this bucket of chicken. I got that commercial too. I think it was just part of my personality that was different from just a regular, nice-looking girl that was more of a model-y type. I injected a little more energy into everything I did.
Don't bring your sand toys to the park. That's another bad move. Because I go to the park, and I'm on the Vicodin and a little weed too - let's face it - and I go in there, and my wife's like, 'Bring the sand toys! Bring the sand toys!' And I know what happens every single time: I become sand toy repo man from the eight little kids that run off in nine different directions with my sand toys.
Sir, if you wish to have a just notion of the magnitude of this city, you must not be satisfied with seeing its great streets and squares, but must survey the innumerable little lanes and courts. It is not in the showy evolutions of buildings, but in the multiplicity of human habitations which are crowded together, that the wonderful immensity of London consists.
I love New York City because there's something to do 24/7, something that will make you see things in a whole different light. Like they say, it's the city that never sleeps.
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