A Quote by Tony D'Souza

I once waited on Sean Connery. A long time ago. This was at the Caledonian Hotel in Edinburgh. They closed down the restaurant for him, and when he walked in with his morning paper, all the waitresses started squealing. He was a big guy, bigger than in the movies.
I'd always admired Sean Connery. Even though I wonder about some of his choices, I like him even in bad movies.
I fought a long time ago in Canada, I fought a Croatian guy, I don't remember his name, but there I had a size advantage. At the end, I explained to him about cutting weight. He didn't know about weight-cutting, so I explained to him, and I was bigger than him at that time.
There is one confrontation scene toward the end of the picture. In the middle of the scene, I thought, That's Sean Connery! I don't know how else to describe Sean Connery. I still feel that way.
One of the biggest guys I worked with was Sean Connery. People like Sean, Michael Caine, Denzel Washington, they've been going for a long time, and not for nothing. They want to get this job right, and they realise the weight of responsibility on their shoulders.
And they stuck to their guns and fought for Sean Connery, and they were right to fight for Sean Connery. If it wasn't for Sean Connery, we wouldn't all be here. I was raised to fight for what I believed in, so I wasn't going to give up. I wanted Daniel Craig, and Michael wanted Daniel Craig, so we just stuck to our guns. Fortunately, we had the right management who really stuck with us. Thanks to that, we got our choice. He's been an extraordinary Bond, and he is very much the right Bond for the 21st century.
The best feeling is when you dunk on a big guy bigger than you, then you can give him that look. It shrinks him down a bit!
When you see the documentary, you'll see that there were parallels. Michael and I both wanted Daniel Craig, and it was the same as it was for Cubby and Harry when they wanted Sean [Connery]. The studio wanted a star and wanted an American, and wanted this and that, but they determined, "No, it's Sean Connery."
There used to be this guy called Vinny who worked on the floor of the stock exchange, said one big investor who had observed the market for a long time. After the markets closed Vinny would get into his Cadillac and drive out to his big house in Long Island. Now there is the guy called Vladimir who gets into his jet and flies to his estate in Aspen for the weekend. I used to worry a little about Vinny. Now I worry a lot about Vladimir
Are people crazy? People waited all their lives. They waited to live, they waited to die. They waited in line to buy toilet paper. They waited in line for money. And if they didn't have any money they waited in longer lines. You waited to go to sleep and then you waited to awaken. You waited to get married and you waited to get divorced. You waited for it to rain, you waited for it to stop. You waited to eat and then you waited to eat again. You waited in a shrink's office with a bunch of psychos and you wondered if you were one.
I had to perform in Dallas at the W Hotel. I was with my best friend, and I had walked on in to the area where I was meeting the crew. Then my best friend came in, and he's like, "This girl at the front desk asked, 'Is his name Quindon? I know him, he's that guy from Romeo + Juliet, I'm one of his big fans.'" I was just like, how does she recognize me from then to now? I was wowed by that because here I am 34, it was 20 years ago, and how does she recognize me?
When Charles Dickens arrived in Boston Harbor, where he started, they had to keep it secret because there was such a mob of people expecting him, and they actually chased down his carriage at the hotel, the Parker House Hotel.
I grew up on the Roger Moore and Sean Connery Bond movies, so the DNA of my spies is extremely ridiculous and goofy.
He's a guy's guy, so it pretty much became like the impressions - don't imitate Sean Connery's voice, and things like that. We were all kind of doing it towards the end of the film, anyway, and he was cool with it.
Long time ago, people would make the Bible, right? The guy said it, somebody wrote it down. And then if you wanted another copy of it, another human being wrote another one. It took a long, long time. Somebody created this thing called mimeograph paper and so you said, 'OK, we'll do it that way.' And so you could get three of them.
You know, I started in movies a long time ago, and once in awhile I'm taken aback. Sometimes one of my things will come on - they use my things as background music all the time, in somebody else's arrangements and It catches my ear.
One of my favorite L.A. movies is 'Ed Wood,' and it's about how Bela Lugosi went from being this movie star personality to living in a little bungalow with his cats in the valley where, if you walked by, you'd have no idea. He'd come out and get his paper, and you'd go, 'That guy looks familiar.'
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