A Quote by Tony Danza

I did Vibe, and I felt old and paternal. I've got ties older than people in that audience. I had a talk with myself. I said, You've got to deal with this better. — © Tony Danza
I did Vibe, and I felt old and paternal. I've got ties older than people in that audience. I had a talk with myself. I said, You've got to deal with this better.
I used to say to myself when I was seven years old that I couldn't wait to get older so I could make money and buy my own clothes. I had a lot of sisters, so as we got older the hand-me-downs got better, but it wasn't until I was about 15 that I was able to buy my own stuff.
In several speeches and interviews, Donald Trump has brought up his book 'The Art of the Deal,' and said that Obama would have negotiated a better deal with Iran if he had read it. It got even more awkward for Obama when Iran was like, 'It worked for us - you guys got screwed!'
The old shepherd had died, or got drunk, or got rats, or got the sack, or a legacy, or got sane, or chucked it, or got lost, or found, or a wife, or had cut his throat, or hanged himself, or got into Parliament or the peerage anyway, anything had happened to him that can happen to an old shepherd or any other man in the bush, and he wasn't there.
Perseverance. I got cut twice. I got cut in Charlotte. I didn't have to go to Atlanta to audition. I could have said, "I'm not cut out for this." But I said, "I think I'm better than that, I can go try again." So I went to Atlanta and I made it through. Then I got cut the first time around. I could have told them I didn't want to come back for the Wild Card show but I did and look how far I got.
He named me. He liked the sound of it. And I said, well, all right. I felt a little odd about it. I don't understand all that name changing business anyway... No, he felt that Lauren Bacall was better sounding than Betty Bacall. He had a vision of his own. He was a svengali. He wanted to mold me. He wanted to control me. And he did until Mr. Bogart got involved.
What happened is, when I was doing 'Taxi,' the last year, we did this thing where we had on top hats and tails, and we pretended to tap-dance. And I said to myself, 'You know, I always wanted to know how to do this.' So I got myself a teacher, and I started studying, and I got hooked.
I had older brothers, and I don't think there's anything worse than an older brother. They pretty much told me the end of everything they got to see before I did.
I think right now there's more TV shows than ever. You've got network, you've got cable, you've got Netflix, you've got Hulu, even Amazon is putting out original content. So there's a lot of opportunities to find fans. You don't have to have a huge audience. You can cater to the people that like your stuff. So there is a boom in comedy and television and stand-up too through podcasting and all the different talk shows.
I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
In Shakespeare Saved My Life, [author Laura Bates] said she got better papers from [prisoners] than she got from people in her regular classes. Because she was teaching, of course, Macbeth, and a number of them had murdered people. The guy who wrote the best paper said, "You do have this, 'Is this a dagger which I see before me?' before you do it, but in my case it was a gun."
As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.
Mystery: Everything felt better before you got there than when you actually got there. When you actually got there, you didn't quite have the energy to be there.
I think when you're a tall girl, you feel a little bit like an outcast. You have to go to the back of the photo. You're taller than all the boys. I know I felt more like an outsider. And then as I got older, I just got used to it. I got like, 'I don't date under 6 feet.' That's my policy.
I was always drawn to the blues. Alberta Hunter at the Cookery was a life-changing experience. I only wanted to get enriched as a performer as I got older, to have an audience which got older, too, and would come to see me when I'm 80.
I was making myself a hotdog and pulling some curly fries out of the oven, and I got the call from manager, and she said, 'You got it. You're Betty Cooper.' It felt so unreal.
As things grew for me I felt like I was losing myself and wanted to stay true to myself as well. I didn't want to lose any connection I had with the audience. I felt small on a big stage and I felt like I was peaking generically to an audience.
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