A Quote by Tony DiTerlizzi

Illustrations can be a big window: a looking glass into the author's imagination. — © Tony DiTerlizzi
Illustrations can be a big window: a looking glass into the author's imagination.
It is a curious fact that with 'Through the Looking-Glass' the faculty of making book illustrations departed from me... I have done nothing in that direction since.
In preparing the present volume, it has been the aim of the author to do full justice to the ample material at his command, and, where possible, to make the illustrations tell the main story to anatomists. The text of such a memoir may soon lose its interest, and belong to the past, but good figures are of permanent value. [Justifying elaborate illustrations in his monographs.]
God Ain't no stained glass window, cause he never keeps his window closed.
The true faith discovered was When painted panel, statuary, Glass-mosaic, window-glass, Amended what was told awry By some peasant gospeler.
Looking through the atmosphere is somewhat like looking through a piece of old, stained glass. The glass has defects in it, so the image is blurred from that.
To the Looking-Glass world it was Alice that said 'I've a sceptre in hand, I've a crown on my head. Let the Looking-Glass creatures, whatever they be, Come and dine with the Red Queen, the White Queen, and me.
In the U.S., everything is big - it's like looking through a magnifying glass.
Dennis looked at the puppy in the window. We both did. It was the oddest thing. Normally, puppies in pet store windows sleep or pee or roll around on top of other dogs. This one ignored us its window-mates and was instead sitting with its nose pressed against the glass, looking at us with an extremely serious little expression on its face. An expression that seemed to me to be saying, "I am a sacred cow. Get out your wallet.
When we opened the doors, we saw that the entire room was scorched black and you were on the floor possibly dead, surrounded by broken glass. Window glass is expensive, you realize that?" "Yes, Your Majesty," he said meekly.
Imagination plays too important a role in the writing of history, and what is imagination but the projection of the author's personality.
You may never have heard of Joseph Overton and his proverbial window but you most certainly have heard the Republican presidential campaign in 2015 year not just flinging the window open but shattering all its glass.
But there are moments, walking, when I catch a glimpse of myself in the window glass, say, the window of the corner video store, and I'm gripped by a cherishing so deep for my own blowing hair, chapped face, and unbuttoned coat that I'm speechless: I am living. I remember you.
You can looking at that glass of water, not as a glass of water, but as paint on a two-dimensional surface. It's not just a question of looking, but of doing, in relation to this, in relation to that, in relation to the space between things.
The easiest thing to do is throw a rock. It's a lot harder to create a stained glass window. I used to get upset at the people who threw rocks but now I'd rather spend my time building the stained glass windows.
One of the jobs of art is to inspire discussion, and Brokeback Mountain certainly has done that. It's like a window and a mirror. You're looking through a window at lives you may or may not have experienced. But it's a mirror in the sense we've all felt lonely; we're all, at one time or another, looking for and hoping for love.
Meeting Australian mountaineer and author Tim Macartney-Snape when I was 16 in 1994 had a big impact on me. His ascent of Everest from sea to summit captured my imagination.
This site uses cookies to ensure you get the best experience. More info...
Got it!