A Quote by Tony Dungy
I can't very well preach unity and tell the guys we're all in this together and everyone's important, then cut a guy because we might improve by one percent if we bring in someone else.
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If there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.
Before you go into what is essentially a competition, you have to have that confidence. You have to ask yourself, "Are they looking for a guy my height? My age? I've got a shot." And if there are nine guys auditioning and they're all gorgeous, I have an advantage, because gorgeous guys are a dime a dozen. But if they need someone else - like a goofy guy with bad hair who is just okay - then that's me. And finally, the other 2 percent who audition are geniuses that I could never touch.
But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.
I think I'm a guy that can relate to everyone and is fairly close with everyone on the team and can try to help bring guys together. That's what I tried to focus on when I was in Erie and I felt everyone was a part of the team. I definitely try to lead that way; I'm not the big rah-rah guy.
We also have a team that works really well together, that knows whose turn it is to pick up what someone else can't continue-the five of us work really well together and if someone says, "My plate is too full, I can't handle this," then someone else will always grab onto it.
When I have an idea, I share it with everyone. People say someone will steal my idea, but it's not like I invented something that will replace the toilet. I tell people to get their feedback. Will they buy it, help me improve it, or tell me it's already been done? If someone else is excited, he or she might buy into the business.
If the film is a hit then everyone shares the success. If it is going to be a disaster then it might as well be because of me, not because of somebody else.
I mean these are universal themes. I try not to preach, for sure. I don't enjoy movies that preach - so I don't want to preach myself when I tell stories because I just feel all of these themes are built into us in terms of redemption and mercy and love and compassion and all these things. And the negative sides, as well.
I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
No one remembers this because it's the whipping boy, but 'The Single Guy' was very well-reviewed and watched, and then the central concept became attacked by the very people who were putting it on. And then the next thing you know you're running in fear, and everyone stops being funny.
It's okay to work for someone else; not everyone is cut out to own a business, and even so, working for someone else is a chance to learn how to both be an employee and an employer.
What I found is, really, you always have to begin by nailing what is true about you, because something that works very well for someone else might not work for you at all.
Shamefully, Mexico isn't a country that provides opportunities equally and democratically to everyone. Although there is a myth as well about that, because if you have something to tell, you will find a way to do it. You might get frustrated doing it but hey, that's the country we live in. I want the chance to live and experience the country that I come from. I keep struggling and fighting against these very seductive offers that require that I live somewhere else. It is a shame that it has to be like that. But you are young. If you don't have a family then there's no excuse. Try, at least.
Very, very often in movie sex you see this fiction about unity. A union. That somehow these two thinking beings become one, and there's one action and they're sort of perfectly in sync, and the lighting's perfect, and they've got their eyes closed, and they're gone, you know? And then you cut to someone having a cigarette. And it's all so much Novocain. Meanwhile, those of us us watching it are going "I'm never going to tell anybody, but I never have sex like that".
The promoters in New Zealand weren't looking at me, they didn't see the potential. But when I was fighting in China they brought me over there as a journeyman so all their guys could whup up on me. Then they realised that's not gonna happen because I kept whupping up on their guys. Then they decided, 'Let's bring this guy into our team.'
Everyone fights for everyone else. If someone has a bad day, then the others are there for him. And if a player makes a mistake, then the others can compensate for that. Those sorts of things are crucial at this level, and it's really important that we perform as a unit.
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