A Quote by Tony Dungy

As a young kid, I had a great background. My grandfather was a minister; I have two uncles that were ministers, and so I had that spiritual background. I accepted Christ early as a kid.
As a kid, I had a background in theater.
My singing voice had rescued me from the scene I was in at school - I was an unpopular, bookish kid who had an indeterminate ethnic background. I became fascinated with women sopranos because they had a future that I didn't as a singer.
I've been working in music since I was a little kid. I would do background singing in my dad's studio all the time when I was a kid. I went to label meetings when I was pretty young, and obviously my goal was, like, 'No, we're gonna hold off.'
I think of my parents as a single unit, and it's interesting because they shared so much, and they were totally opposite. My mother, a Martha Graham dancer, had a classical background; my father had a back-porch background.
I don't have a traditional design background, but it's inherent to me. My father was in the fabric industry, and even my grandfather and my great-grandfather were lace manufacturers.
I've never been a huge prog fan. My background is punk. My background is learning how to play a bar chord and listen to Discharge records when I was a kid.
The greatest thing about the Wiggles, and how they started, was they had that great background of early childhood development and that's what they were studying at the university at the time.
When I was in elementary school, we had the kid who threw chairs, the kid who stuttered, and the kid who went to the bathroom on himself ... but we never had the kid who came in one day and started shooting everyone.
Up until the middle of the nineteenth century, men of science were all believers. Most of the great early English naturalists were also ministers; they were the only ones who had education and leisure for such pursuits. Darwin himself almost became a minister. God's power was always thought to be most easily and obviously revealed in the majestic works of nature.
When the musical keyboard was created in the 1970's, you had electronic geeks that had no background in music created these devises and gave them to musicians that had no background in electronics. The result was some of the wierd sounds that came out in the '70s.
I endured many weeks of it, but I had a big background in martial arts and fighting as a kid, so kind of all the problems got brushed away and I was ready.
Me, coming from a low-income background, I really didn't take my studies serious as a young kid.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
If I had a kid, and someone had touched my kid, I am sure that if I had a gun or a knife, I would go and stab the person who I supposed touched my kid.
We had a kid. The kid was awesome. She didn't fall asleep easily. We complained about it. We got frustrated. But we didn't look for an out. We just accepted that this was part of parenting.
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