A Quote by Tony Fadell

Nest really came out of a process where I was trying to design the most connected and the most green home that I knew of. I was curious of just about everything that goes into a home and building a home.
I don't think I'm a home run hitter. Most of my home runs are line drives. If I hit it, thanks God. But it's not the kind of thing that I think about. I just go out there and try to have a better season than I had before. Home runs are not in my mind.
Home sweet home. No place like home. Take me home, country roads. Home is where the heart is. But my heart is here. So I must be home. Clare sighs, turns her head, and is quiet. Hi, honey. I'm home. I'm home.
I don't mean what other people mean when they speak of a home, because I don't regard a home as a...well, as a place, a building...a house...of wood, bricks, stone. I think of a home as being a thing that two people have between them in which each can...well, nest.
Home is ultimately not about a place to live but about the people with whom you are most fully alive. Home is about love, relationship, community, and belonging, and we are all searching for home.
Home is not fixed - the feeling of home changes as you change. There are places that used to feel like home that don't feel like home anymore. Like, I would go back to Rome to see my parents, and I would feel at home then. But if my parents were not in Rome, which is my city where I was born, I would not feel at home. It's connected to people. It's connected to a person I love.
Every one of us needs a home. The world needs a home. There are so many young people who are homeless. They may have a building to live in, but they are homeless in their hearts. That is why the most important practice of our time is to give each person a home.
Is there a home, a home for me? Where the people stay until eternity? Is there a road that winds up, underneath the big green tree? Is there a home, a home for me?
That's what the American odyssey is really about: Leaving home. Leaving home and coming home, and trying to understand the difference.
You really can't go home again. Sometimes, that's a good thing. Sometimes, when you try, you find out that home isn't really there anymore... but that it wasn't only in your head before. Home actually existed. Home wasn't just a dream. Sometimes, that's the best thing of all.
I wrote the script to 'Lady Bird,' and it really came out of a desire to make a project about home - like, what the meaning of home is, and place. I knew Sacramento very well, obviously, growing up there, and I felt like the right way to tell a story of a place was through a person who's about to leave it.
One of my fondest memories was when I was in London as a young, independent businesswoman and stayed at Claridge's. I knew I had made it. To me, Claridge's is the most glamourous hotel in the world; I regard it as my home away from home. I am honoured to become part of the hotel's legacy and rich design history.
When I got home, I was trying to figure out how to be home. Like, be home in a sense that had nothing to do with music.
I actually didn't think there was that many people out there who knew what it's like to not really have a home or have that home in one place.
Your home should be an extension of you and who you are as a person. If you can come home, and actually feel at home... that's fantastic design.
I made a real specific decision when I came out of school and most artists were writing about home - if you were a woman, you were writing about being a woman - and I decided not to do that, write about what you know. That's not what I do. I went as far away from home as possible in terms of the development of my imagination.
I've gotten stronger, but I don't ever try to hit home runs. I stay with the same approach, just hit line drives. If you get under one and it goes out, it's a home run, but I don't feel any pressure to hit home runs.
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