The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
At bottom the world isn't a joke. We only joke about it to avoid an issue with someone, to let someone know that we know he's there with his questions; to disarm him by seeming to have heard and done justice to his side of the standing argument.
I keep on repeating something told to me by an American psychologist: "When you are making a joke about someone and you are the only one to laugh, it is not a joke. It is a joke only for yourself." If people are making a joke they have the right to laugh at me but I will ignore them. Ignoring doesn't mean that you don't understand. You understand it so much that you don't want to react.
You learn what can become a good joke and can be repeatable. You have a shorthand about how to introduce a joke to someone.
It's hard to make a joke out of someone that's a joke.
A joke isn't a joke until someone laughs.
When I was governor, if I told a joke in front of the press - I learned. I would go, "That was a joke, joke, joke," and I'd say it three times.
A satirist is someone who has a very skeptical view of human nature, but who still has the optimism to make some sort of a joke out of it. However brutal that joke might be.
Any joke can be funny, but not any joke is funny. Any joke has the potential to be hilarious to you, but more importantly, the joke has the potential to not be funny to you but to someone else.
Surprise makes a joke funny. I love it when someone tells me something I couldn't possibly have expected; you've been led along one path and - bang! - the joke comes out of nowhere.
It doesn't mean you can't discuss important things, but I would never do a joke about cancer, just because I don't think any joke is funny enough to justify upsetting someone who is going through that.
I've worked with a lot of people and I like to play with people when it's fun, and people that I have fun with independent of music, do you know what I mean? Where you can just joke and kid around, because you can joke and kid around with somebody and when you get in the pressure cooker of the studio then you can it's just something.
Unlike singers, who can earn for years by singing one song, we artistes have to be on our toes all the time. If I write something funny or create a joke in the morning, there will be someone narrating my own joke to me the same evening.
It's easier not to make a particular joke in case it offends. But every joke will offend someone, and I've always believed that the audience is bigger than one person. The danger is that things will become bland.
What you never want to do is have a story that doesn't track emotionally, because then you're going joke to joke and you're going to fatigue the audience. The only thing that's going to string them to the next joke is how successful the previous joke is.