A Quote by Tony Gilroy

But what I didn't recognize when I was much younger was this sort of...when you're on, when you're really on, go at it. — © Tony Gilroy
But what I didn't recognize when I was much younger was this sort of...when you're on, when you're really on, go at it.
I think I was a bit naive when I was younger. I don't know what it was: I sort of felt tunnel vision - I didn't really have peripheral vision or see the world and what was happening. I'm much more worldly, and I believe that I'm much more grounded in my body than I probably was when I was younger.
I'm attracted to the work of younger artists, and it's affordable compared to mature art, so you can take a chance much easier on a younger artist. I can't say that I've found an artist who I think is going to be the next Bacon or Warhol. You shouldn't have to do that really. You go forward, and you find something new.
I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
When I was younger and was working as a Dia guard I would go to see everything. I went to every opening. I was really interested in seeing and learning as much as I could.
I haven't really auditioned much in my career. I've been lucky in terms of the feature work; it's mostly been people that have been fans of mine that have called and said "We have this part, do you want to do it?" That kind of thing. And that's sort of still the way it is right now - I don't really go after features too much.
I'm getting to the place where I can sort of go through airports now and there's no hysteria. I can go places alone even. But at the same time, if you get in trouble, you can find somebody in your age group who might recognize you.
My experiences growing up - my father lived in New York, so I was going out there in the summers and meeting really interesting people and people having what seemed to me to be extraordinary experiences and really taking advantage of these wonderful opportunities. And so I will go - I would go to the big city and watch these people performing onstage and doing television and films. And then I would go back to Hayward, and it just suddenly felt that much smaller and sort of limiting because I had this hyper awareness of how much larger the world was.
There are only a few places that I go where people recognize me anyway. I have to be at the right place, in the right city. It's not really that much of an issue.
Everybody thinks that touring is really glamourous, but I pretty much sit in a room all day. I have a sort of office where I do emails, and I go for a run, and then at the end of the night, I go to bed. It's not like some crazy party.
I moved around so much when I was younger that I sort of had to have this type of exterior; you know, I was afraid of getting hurt.
If you sort of see yourself writing into a space that you don't always recognize, you sometimes learn things that you knew, but weren't entirely aware of. It's very liberating for a writer to go into a space where she or he has not gone before, because, instead of being a tourist, you're like an explorer now, and you're sort of lost in this new idea.
In those days, man, in the '50s, black people in the South... We didn't recognize contracts that much. And we didn't recognize marriages that much, either.
I left acting for 15 years, and I think it's really nice to have another life. I took too much for granted when I was younger. I didn't really want to be an actor. I didn't really love it. And so I made a lot of mistakes. Oddly, I care much more about it now. I feel like a complete novice.
To see, to hear, means nothing. To recognize (or not to recognize) means everything. Between what I do recognize and what I do not recognize there stands myself. And what I do not recognize I shall continue not to recognize.
I feel like 'Gossip Girl' isn't really 'Gossip Girl' anymore when they're away at school because they don't go to NYU; they go to, like, Yale and Brown. New York City is just as much a character as anyone else in the books, and I was really sort of reluctant to show them off in their separate college worlds.
I think when I was younger, I used to sort of long to be a part of films that were really gritty and hardcore in a way.
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