A Quote by Tony Gilroy

I can't imagine directing from someone else's script. — © Tony Gilroy
I can't imagine directing from someone else's script.
I can't imagine being invested in someone else's script.
I enjoy editing when I'm directing, but when someone else is directing, that's their film to cut.
I think now that I've tried directing, I'm not interested in doing adaptations anymore. I could do an adaptation of someone else's work that I would write, but the idea of taking someone else's material entirely doesn't interest me. One of the things that I found really helpful, at least in my mind - and I've never discussed this with the actors or with the people I work with - is that being a neophyte in directing, I feel like I have a kind of authority simply because I'm the writer as well.
You either learn your way towards writing your own script in life, or you unwittingly become an actor in someone else's script.
I'm sent a script. I read the script. If I love it, I want to do it. And that's it I don't care who's in it, how much money is behind it, really to an extent who's directing it.
Directing, to me, starts even before we get to the set. Directing is a fluid, an abstract thing. It's not done only purely in the moment. It's an idea that you plant before. It's a location that you show. It's something I whisper in someone's ear. It's a freeform thing. It only takes me a week to write the script, but it's years that you're thinking about it. The execution is really the fast part.
I love being a writer-director. I couldn't imagine directing without writing it. You have to write and tell your stories - that's what directing is to me.
James Wan is somebody who doesn't have any problem coming in and directing somebody else's script, he'll be the director for hire and he has his own style and he loves that.
As human beings, we aren't as individual as we'd like to believe we are. And I think that's what makes acting possible. Despite the fact that I have not experienced something, I have it in my human capacity to imagine it and to put myself in someone else's shoes, and to take someone else's circumstances personally.
To do someone else's script? I don't think I'd have a reason.
When I read for 'Girls,' I was like, 'The script says 'Handsome Carpenter,' so someone else is going to get the part. They'll have someone handsome, not me.'
That's because you've never been one. You haven't spent years wearing someone else's clothes, taking someone else's name, living in someone else's houses, and working someone else's job to fit in. And if you don't sell out, then you run away... proving you're the Gypsy they said you were all along.
I always think that the deal, once I do the script, sort of the experience I go through writing, which is everything you can imagine, but I always think it's the one thing I can do when I'm directing is say is that it's all about the actors, that I can say, 'We're all here to serve the actors.'
People are always pleased to indulge their religiosity when it allows them to stand in judgment of someone else, licenses them to feel superior to someone else, tells them they are more righteous than someone else. They are less enthusiastic when religiosity demands that they be compassionate to someone else. That they show charity, service and mercy to everyone else.
Ultimately, however, the script an actor enlivens is someone else's words.
With 'Badhaai Ho,' I loved the script but was anxious that someone else might get the role.
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