A Quote by Tony Gilroy

I worked for a lot of directors. — © Tony Gilroy
I worked for a lot of directors.
I'd worked with directors who wouldn't collaborate. Then I've also worked with directors who didn't really know what they wanted. I knew I didn't want to be either one of those guys - or girls.
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
I've been working almost 20 years, and I think I've worked with maybe one black director of photography in that time. Maybe two women directors or DPs. Maybe. And I've done a lot of TV. That's a lot of people I've worked with.
I'm trying to work only with established, respected directors. I took a lot of bad scripts and worked for a lot of lazy directors, and it was discouraging to go to the screenings and see that the director had added nothing, the editor had added nothing, there was nothing to see.
I've worked with a lot of great directors.
I've worked with Jack Nicholson and Robert De Niro and Tom Hanks. I've worked with some really good directors: Woody Allen, Paul Schrader... My God, I've really worked with a lot of people. But I'm intimidated by them, and I'm always thinking, "Oh, my God, he's not going to like me, and I'm going to get fired."
I can't think of a lot of bad directors I've worked with, really.
I've worked with a lot of directors who really don't have a sense of what the hell they want.
That really sets great directors apart from good directors: their ability to make you feel like you matter, even if your part is much smaller. That's one thing I found with most of the great directors I worked with: They all have that skill. Not everyone takes the time.
I began stealing a lot of ideas from other directors I had worked with.
I felt I knew Lugosi. Like him, I had worked for good directors and terrible directors.
I've worked with a lot of great directors and often times they solicit your ideas.
I've worked with a couple of female directors now, and I think that they're amazing. As good or better than guy directors.
Practically everybody I've ever worked with, I'd like to work with again. I had a great time with the people that I've worked with, and the directors, and a lot of the casts. There's really nobody where you'd say, "Oh, I got X, Y, and zed again! Gahhh, no!" It really brings a smile to my face, because in 95 percent of the cases, people I've worked with, I'd be thrilled to work with again.
Yeah, I've worked with a couple of female directors, now, and I think that they're amazing. As good or better than guy directors.
I've worked with a lot of directors, some of them you wouldn't really attach the word 'artist' to their name.
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