A Quote by Tony Goldwyn
Even when a pilot goes, you shoot it in March or April, and then you have to rush it through post-production by May. If they greenlight it, then you go and there's no time to think about it. And then, you've gotta start shooting in July, so you're off to the races.
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We go through, I think, six different drafts of each script. And then my shooting it is roughly, you know, fifteen percent of the total work that gets done on a show. Then it's all post-production animation after that.
Making a painting is like having sex for a month or something. Then I go through this period of elation at finishing the work. Then you drop off - you know, 'post-coital man is sad,' as the old saying goes.
Making movies has not only been an incredibly collaborative process but there's three big parts: pre-production, shooting itself and then post-production, which leads into marketing. And if you're passionate about the movie and you believe in it, and it would make sense that you are having done it, then you want to get out and promote it. It makes it a lot easier when the film is good and people are enjoying it.
There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that "he's not reading." And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.
There's all these people involved, and it becomes this huge machine - it stops being just me making my own little songs for myself, or for the world. And it's hard to stop the machine. If you want to take time to write a record, they're like, "OK, tour through March, April, and June, then you can take a few weeks off to record in July before getting back on the road for the European festival circuit." After a while, I had to put my foot down.
I would sign on for projects that were meant to shoot in July, and then they would postponed and they would bleed into the following semester, and then I'd take a semester off, and then the movie would collapse.
I look at it this way: How much of the day are you awake? You think, "I've gotta get that dry cleaning, I gotta get this going, and this, and this, and this." And all of a sudden it's dinnertime. And then there's a moment of connection with your spouse or your friends. Then you read and go to bed. Wake up and then it's the same all over. You're not awake, you're not living, you're not experiencing. We start early medicating ourselves. We start kids early, on TV and video games and so on.
Most Sagittariuses start off really reserved. You gotta check people out, see what they're about, and then once we decide you're cool, then that's when we become super fun and really outgoing. But first we gotta make sure everybody's cool.
Hip-hop as a culture itself goes through stages. It grows - it's breathing, living. I've noticed that we usually start off conscious, then we wind up very highly sexual, and then we thug it out. Then things get a little funny again, with comedy and that kind of thing.
Girls interested in modeling need to realize that its hard work. You can go to a shoot in the morning and not even start shooting until 10pm - and still be there at 5am the next day. Then if you still haven’t got the shot, you’ll have to go back the next day and start again!
If I'm flying to China, I can sit and think about a problem. Other scientists have to go to the lab. I'm always thinking about maths, even when I'm doing other things. A lot of the time you're going up blind alleys and it's very frustrating, but then you have a sudden rush of ideas. You can live off that for quite some time.
The great thing about the animation process is that is goes from, I write the lines, it goes to the actors, the actors bring a whole world to that, they bring the characters to life, then it goes to the animators, then it goes to the editor who cuts it together, and then you screen it and it goes back through the system again.
When I make a documentary I shoot very little but I hang around with my camera for a long time. I look at the people for a long time through the loop and then when I see something interested then I shoot. I think that I have become very sensitive to these things.
I firmly believe that every six years, a person goes through a serious change. Think about it: At 6, you start school. At about 12, you start hitting puberty. And then it goes on. You start hitting these different mental levels, and people change. I think that's part of the reason the divorce rate is so high.
You can really shoot things you think might work on camera one way, then you can try it that way, and then if you think it could also work another way, you have that luxury of shooting a bunch of different steps, and then they can decide in editing what works the best.
It's just about having faith in what I wrote and following through on the plan and making sure I get the pieces the way that I need them. It's just about executing properly in production and then in post, you know, it's working [with] and trusting my editor, and then also playing the film for people and seeing how they react.
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